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Jane Church © 2018
Music, PremieresFebruary 6, 2018<February 6, 2018

Premiere: Fuzz-Rock Dreams in Jane Church’s “Rocket to the Kremlin”

by Mitch Mosk
Holy Pink © Clementine Leger
Debut, Music, PremieresFebruary 6, 2018<February 6, 2018

Premiere: Holy Pink’s Lush, Atmospheric Meditation, “Fragrant”

by Mariel Fechik
Matador Soul Sounds © Ashley LaBlonde, Wide Eyed Studios
Music, PremieresFebruary 5, 2018<February 5, 2018

Premiere: Matador! Soul Sounds’ Vibrant “Too Late” Is Right on Time

by Mitch Mosk
Drink About You - Kate Nash music video still
Features, Music, Reviews, This Just InFebruary 2, 2018<February 7, 2018

This Just In: Kate Nash Lets Loose in Spirited “Drink About You”

by Mitch Mosk
Oli Hannaford © 2018
Music, Reviews, This Just InFebruary 2, 2018<February 2, 2018

This Just In: ‘The Crown’ Marks Oli Hannaford’s Magnificent Return

by Maggie McHale
Please Don't Let Me Down - Morgan Cameron Ross
Music, Music Videos, PremieresFebruary 2, 2018<February 2, 2018

Premiere: Morgan Cameron Ross’ Heartfelt “Please Don’t Let Me Down”

by Mitch Mosk
Watts' Weekend Picks 2018-02-02
Columns, Music, Playlists, Watts' Weekend PicksFebruary 2, 2018<February 2, 2018

Watts’ Weekend Picks: Tom Misch, Tiesto & More for Your Lifestyle

by Watts
Chiara Berardelli © Kerstin Gruenling
Music, Music Videos, PremieresFebruary 2, 2018<February 2, 2018

Video Premiere: Chiara Berardelli’s Visually Evocative “Deep Space Hibernation”

by Kaitlyn Zorilla
The Vaccines © Brad Elterman
Columns, Music, Today's SongFebruary 2, 2018<February 1, 2018

Today’s Song: The Vaccines Return with Rock Anthem “I Can’t Quit”

by Monica Mellon
Bird Concerns © 2018
Music, PremieresFebruary 1, 2018<February 1, 2018

Premiere: Overcoming Insecurities with Bird Concerns’ Fiery “The Monster”

by Mitch Mosk
Chappell Roan © Catie Laffoon
Music, PremieresFebruary 1, 2018<February 1, 2018

Premiere: Chappell Roan’s Haunting “Bitter” Dwells in Darkness

by Mitch Mosk
Yungblud © Andrew Whitton
Debut, Features, Interviews, MusicFebruary 1, 2018<February 1, 2018

Raising the Voice of the Younger Generation: A Conversation with Yungblud

by Nicole Almeida
"Ain't No Sunshine" - Bill Withers
Columns, Music, Nostalgia TracksFebruary 1, 2018<February 1, 2018

Nostalgia Tracks: “Ain’t No Sunshine” Endures as Bill Withers’ Most Simplistically Brilliant Song

by Sydney Sweeney
The Co Founder © 2018
Columns, Music, Today's SongFebruary 1, 2018<February 1, 2018

Today’s Song: The Co Founder Captivates on “Full Stop”

by Alex Killian
Handsome Ghost © Cortney Armitage
Debut, Features, Music, ReviewsJanuary 31, 2018<February 16, 2018

Welcome Back: Exploring Intimacy & Vulnerability in Handsome Ghost’s Debut

by Mitch Mosk
Posts pagination
1 … 606 607 608 609 610 … 727

Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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