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Water - Hildur
Music, Music Videos, PremieresMarch 20, 2018<March 20, 2018

Premiere: Pain and Beauty in Hildur’s Breathtakingly Bittersweet “Water”

by Mitch Mosk
Calum Scott © Frank Ockenfels
Debut, Features, Interviews, MusicMarch 20, 2018<March 30, 2018

Love, Lust, and Longing: A Conversation with Calum Scott

by Luke Pettican
Mick Jenkins © Josef Adamu
Columns, Music, Today's SongMarch 20, 2018<August 5, 2021

Form Matches Function on Mick Jenkins’ Uncompromising “Earl Sweatshirt type beat”

by Atwood Magazine Staff
Jesse Macht © Gregory Beylerian
Music, PremieresMarch 19, 2018<March 19, 2018

Premiere: Take a Breath with Race the Tide’s Cathartic “Dayenu”

by Mitch Mosk
Pale Houses © 2018
Music, PremieresMarch 19, 2018<March 30, 2018

The Warm Weight of Pale Houses’ Intimate Confessional, “Who Will I Be for You?”

by Mitch Mosk
Screaming Females © Grace Winter
Features, Interviews, MusicMarch 19, 2018<March 19, 2018

Finding Community All At Once: A Conversation with Screaming Females

by James Crowley
Atwood Magazine's Weekly Roundup 03-16-2018
Columns, Features, Music, Weekly RoundupMarch 16, 2018<March 16, 2018

Atwood Magazine’s Weekly Roundup: March 16, 2018

by Atwood Magazine Staff
The 1 Class © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: Deception and Denial in The 1 Class’ “If You Were Honest”

by Mitch Mosk
Hey Baby © Bin Blow
Columns, Debut, Music, Reviews, Today's SongMarch 16, 2018<March 16, 2018

Review: Hey Baby! Embrace the Buzz in Punk Anthem “Kids”

by Mitch Mosk
Catalina © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: Lost in the Ethereal Waves of Catalina’s “Ceremony”

by Mitch Mosk
Everything You Need - The Yellow Traffic Light © Mario Toyoshima
Debut, Music, Music Videos, PremieresMarch 16, 2018<October 1, 2018

Premiere: The Yellow Traffic Light Challenge “Everything You’ll Need” with Dark Disillusion

by Mitch Mosk
Riley Moore © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: “Wandering Man,” Riley Moore’s Americana Ode to the Nomad

by Mitch Mosk
Watts' Weekend Picks 2018-03-16
Columns, Music, Playlists, Watts' Weekend PicksMarch 16, 2018<March 23, 2018

Watts’ Weekend Picks: John Newman, MNEK & More for Your Weekend Lifestyle

by Watts
Bright City Lights - Rebecca Haviland
Music, Music Videos, PremieresMarch 15, 2018<March 16, 2018

Video Premiere: Rebecca Haviland Finds Her Voice in “Bright City Lights”

by Mitch Mosk
Mica Tenenbaum of Magdalena Bay © Nicole Almeida
Debut, Features, Interviews, MusicMarch 15, 2018<December 21, 2024

Talking Retro Pop and Vintage Film: A Conversation with Magdalena Bay

by James Meadows
Posts pagination
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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