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Somebody Special - Nina Nesbitt art
Music, This Just InJanuary 16, 2018<January 16, 2018

This Just In: Nina Nesbitt Reminds Us Why She’s “Somebody Special”

by Baylee Less
Jeff Rosenstock 2017 live in NYC
Columns, Concert Conversations, Music, ReviewsJanuary 12, 2018<January 12, 2018

LIVE: Jeff Rosenstock Brings the Dread and Love of Worry to Brooklyn

by James Crowley
Atwood Magazine's Weekly Roundup 1-12-2018
Columns, Features, Music, Weekly RoundupJanuary 12, 2018<January 12, 2018

Atwood Magazine’s Weekly Roundup: January 12, 2018

by Atwood Magazine Staff
Blue Madonna - BØRNS art
Music, Our Take, ReviewsJanuary 12, 2018<January 12, 2018

Our Take: BØRNS Soars on Dreamy ‘Blue Madonna’

by Mitch Mosk
When I Was Young EP - MØ
Music, Our Take, ReviewsJanuary 12, 2018<January 12, 2018

Our Take: Dissecting MØ’s Heart-Tugging EP ‘When I Was Young’

by Ethan Germann
Watts' Weekend Picks 2018-01-12
Columns, Music, Playlists, Watts' Weekend PicksJanuary 12, 2018<January 24, 2018

Watts’ Weekend Picks: Anderson East, Boogie & More for Your Lifestyle

by Watts
Turn - The Wombats
Columns, Music, Today's SongJanuary 12, 2018<January 12, 2018

Today’s Song: “Turn” Perfectly Captures The Wombats’ Witty Lyricism

by Matthew Tordoff
New York - St Vincent
Columns, Music, Today's SongJanuary 11, 2018<January 11, 2018

Today’s Song: Intimacy and Frustration in St. Vincent’s “New York”

by James Crowley
KILLEN © Courtney Killen
Music, PremieresJanuary 11, 2018<January 11, 2018

Premiere: “Tired of Being Broke,” KILLEN’s Unapologetic Working Class Anthem

by Mitch Mosk
Emily Warren © David O'Donohue
Features, Interviews, MusicJanuary 11, 2018<January 11, 2018

From Hits to Heart: A Conversation with Emily Warren

by Kelly Wynne
Tape #1 - Hoops
Music, Our Take, ReviewsJanuary 11, 2018<January 11, 2018

Our Take: ‘Tape #1′ is Some of Hoops’ Most Fuzzy, Lovely Lo-Fi

by Sydney Sweeney
Without a Word - Summer Fires
Music, PremieresJanuary 11, 2018<January 11, 2018

Premiere: Sparks Fade in Summer Fires’ Turbulent “Without a Word”

by Mitch Mosk
Unbelievers - Vampire Weekend
Columns, Music, Nostalgia TracksJanuary 11, 2018<January 11, 2018

Nostalgia Tracks: Vampire Weekend’s Religiously-Charged “Unbelievers” Makes Soul-Searching Fun

by Sara Santora
Quelle Rox © 2018
Debut, Music, PremieresJanuary 10, 2018<January 11, 2018

Premiere: Quelle Rox’s Kaleidoscopic Debut “Blue Rhythm”

by Kaitlyn Zorilla
I Don't Want U Back - BØRNS
Columns, Music, Today's SongJanuary 10, 2018<January 10, 2018

Today’s Song: BØRNS Strikes Melancholy Chords on “I Don’t Want U Back”

by Alex Killian
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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