• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Caroline Pennell © Shervin Lainez
Music, Music Videos, PremieresJanuary 9, 2018<January 9, 2018

Live Premiere: Caroline Pennell’s Intimate, Heartwarming “Drive Me Home”

by Mitch Mosk
Atwood Magazine’s 2018 Artists to Watch
Features, MusicJanuary 9, 2018<January 31, 2018

Atwood Magazine’s 2018 Artists to Watch

by Atwood Magazine Staff
Alia © Ilana Morgan
Columns, Music, Today's SongJanuary 9, 2018<January 9, 2018

Today’s Song: Alia Gets Up Close and Personal with “Brain”

by Ethan Germann
Revival - Eminem
Music, Our Take, ReviewsJanuary 8, 2018<January 8, 2018

Our Take: Eminem’s ‘Revival’ Is Low on Highlights, High on Dubious Decisions

by Josh Weiner
The Hold Steady © Rich Tarbell
Columns, Music, Today's SongJanuary 8, 2018<January 8, 2018

Today’s Song: The Hold Steady Capture the Nostalgia of Partying with Old Friends on “Entitlement Crew”

by James Crowley
Adam Barnes © 2018
Music, PremieresJanuary 5, 2018<January 5, 2018

Premiere: Adam Barnes’ “Hopeful” Dances with Intimate Emotions

by Mitch Mosk
Ásgeir © One Little Indian Records
Columns, Music, Today's SongJanuary 5, 2018<January 5, 2018

Today’s Song: Ásgeir’s “In the Silence” Resonates with Heartfelt Grace

by Ilana Kalish
Gem Tree © 2018
Music, PremieresJanuary 5, 2018<January 5, 2018

Premiere: The Inspiring Ease of Gem Tree’s Free-“Floatin” New Year’s Single

by Mitch Mosk
Saturation III - BROCKHAMPTON
Music, Our Take, ReviewsJanuary 5, 2018<February 20, 2018

Our Take: BROCKHAMPTON’s ‘Saturation III’ Refines Their All-Caps Ethos of DIY Creativity

by James Meadows
Crying © 2016
Columns, Music, Nostalgia TracksJanuary 4, 2018<January 4, 2018

Nostalgia Tracks: Rediscovering Crying’s “Wool in the Wash”

by Olivia Perry
Just for Us - Francis and the Lights
Music, Our Take, ReviewsJanuary 4, 2018<January 4, 2018

Our Take: Francis and the Lights Ushers in the New Year with Something ‘Just for Us’

by Sara Santora
lauv © Jennica Mae
Columns, Music, Today's SongJanuary 4, 2018<January 4, 2018

Today’s Song: Take a Honeymoon to France with Lauv’s “Paris in the Rain”

by Ethan Germann
MJ Cole © 2017
Features, Interviews, MusicJanuary 4, 2018<January 4, 2018

Pictures (And Songs) in His Head: A Conversation with MJ Cole

by Nicole Almeida
ash.ØK © Dan Drufovka
Music, PremieresJanuary 4, 2018<January 4, 2018

Premiere: ash.ØK’s “Chained Rebellion” Dreams with Sadness and Solitude

by Mitch Mosk
End the Silence x Atwood Magazine
Features, MusicJanuary 3, 2018<January 3, 2018

Atwood Magazine Ends the Silence

by Atwood Magazine Staff
Posts pagination
1 … 612 613 614 615 616 … 727

Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services