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Suffer the Children © Jonathan Dy
Debut, Music, PremieresMay 25, 2017<May 25, 2017

Premiere: The Lonely Cry of Suffer the Children’s “Bear Witness”

by Mitch Mosk
Beach Tiger © Lindsey Harris Photography
Music, PremieresMay 25, 2017<January 2, 2019

Premiere: Beach Tiger’s “When You’re Lying There,” an Anthem of Love to the Little Things

by Mitch Mosk
Weekend Mountain Man - Former Faces still
Music, Music Videos, PremieresMay 25, 2017<May 25, 2017

Video Premiere: Former Faces Return to Nature on “Weekend Mountain Man”

by Josh Weiner
Asgeir © Columbia Records
Features, Interviews, MusicMay 24, 2017<May 24, 2017

Intimacy, Intention, and Afterglow: An Interview with Ásgeir

by Erika Kooda
Mr. Byrd © 2017
Debut, Music, PremieresMay 24, 2017<May 23, 2017

Premiere: Finding Solace in Deathless Devotion with Mr. Byrd’s “I’ll Never Let Go”

by Kelly Wynne
The Solars © 2017
Debut, Music, Music Videos, PremieresMay 23, 2017<May 23, 2017

Video Premiere: Home & Away in The Solars’ Dazzling “Goddess of the Suburbs”

by Mitch Mosk
Cutty Flam © 2017
Music, PremieresMay 23, 2017<May 23, 2017

Premiere: The Restless Dance of Cutty Flam’s “Continental Creep”

by Mitch Mosk
Steady Sun © 2017
Interviews, MusicMay 23, 2017<May 23, 2017

Indifferent World, Psychedelic Dream: A Conversation with Steady Sun

by Josh Weiner
James Vincent McMorrow © 2017
Music, Reviews, This Just InMay 23, 2017<May 23, 2017

This Just In: James Vincent McMorrow Finds “True Care”

by Nicole Almeida
Under The Milkyway... Who Cares? - Seasurfer
Music, Music Videos, PremieresMay 23, 2017<May 23, 2017

Video Premiere: The Dark & Dreamy Power of Seasurfer’s “Too Late for Goodbyes”

by Mitch Mosk
CHNNLL © 2017
Music, PremieresMay 22, 2017<May 22, 2017

Premiere: CHNNLL Flows Through Life, Time, & Memory on “The River”

by Mitch Mosk
Chris Cheveyo © 2017
Music, Music Videos, PremieresMay 22, 2017<May 22, 2017

Video Premiere: Chris Cheveyo Dreamily Opens Up in “A Letter”

by Mitch Mosk
BANKS "The Altar" © 2016
Columns, Music, Today's SongMay 22, 2017<May 22, 2017

BANKS Explores Love vs. Success with Aching & Poetic “Crowded Places”

by Kelly McCafferty Dorogy
Harry Styles - Harry Styles
Debut, Features, Music, Reviews, RoundtableMay 19, 2017<June 29, 2024

Roundtable Discussion: A Review of Harry Styles’ Debut Album

by Atwood Magazine Staff
Mabel © Polydor
Debut, Features, Interviews, MusicMay 19, 2017<May 19, 2017

Romance, Storytelling, and the Theory of Forever: A Conversation with Mabel

by Sydney Sweeney
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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