• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Laika - Mothlight
Music, Premieres, ReviewsMay 5, 2017<May 8, 2017

Album Premiere: The Dazzling Warmth of Mothlight’s Dreamy ‘Laika’

by Mitch Mosk
Greatest Hits - Tupac
Columns, Music, Music You Should KnowMay 5, 2017<May 5, 2017

Music You Should Know: On the Necessity of Mainstream Political Hip-Hop with Tupac’s “Changes”

by Sydney Sweeney
Shura © Andrew Whitton
Concert Conversations, Concerts, Music, ReviewsMay 4, 2017<May 4, 2017

Live: Shura’s Electropop Dance Party at the Bowery Ballroom

by Carmen Chan
DREAMERS (Jacob Wick, Nick Wold, Marc Nelson)
Features, Interviews, MusicMay 4, 2017<May 4, 2017

Expanding and Thinking and Doing: A Conversation with DREAMERS

by Maggie McHale
Stoop Kids © 2017
Features, Music, PremieresMay 4, 2017<May 4, 2017

Premiere: The Purposeful Pandemonium of Stoop Kids’ Mixtape ‘Queue’

by Ethan Germann
I See Rivers © 2017
Debut, Features, Music, Our Take, ReviewsMay 4, 2017<May 12, 2017

Our Take: The Enchanting Siren Song of I SEE RIVERS’ Debut ‘Standing Barefoot’ EP

by Mitch Mosk
Son Lux © Zenith Richards
Columns, Features, Music, Reviews, Today's SongMay 4, 2017<May 4, 2017

On “Dangerous,” Son Lux Decipher the Mute Violence of a Post-Truth World

by Urooj Ali Rizvi
Falling Off the Earth - Rachel Price still
Music, Music Videos, PremieresMay 4, 2017<May 4, 2017

Video Premiere: Pain and Passion in Rachel Price’s Lovelorn “Falling Off the Earth”

by Mitch Mosk
Music, Time MachineMay 4, 2017<May 4, 2017

Time Machine: Leonard Cohen and More Sing, “Hallelujah”

by Erika Kooda
TATRAN "Eyes" still
Music, Music Videos, PremieresMay 3, 2017<May 4, 2017

Premiere: The Sensational, Unsettling Power of TATRAN’s Epic “Eyes”

by Mitch Mosk
Battlehooch © Marta Barensfeld
Music, PremieresMay 3, 2017<May 3, 2017

Premiere: Battlehooch’s “Used to Think of You” Is a Psych-Rock Trip Down Memory Lane

by Mitch Mosk
Jon and Roy © Kim Jay Photography
Features, Music, PremieresMay 3, 2017<May 3, 2017

Premiere: Jon and Roy’s “The Better Life” Embraces Today for a Hopeful Tomorrow

by Mitch Mosk
Priests © Audrey Melton
Debut, Music, ReviewsMay 3, 2017<May 3, 2017

Review: The Fiercely Ambitious Foundation of Priests’ ‘Nothing Feels Natural’

by Shayna Chabrow
Be Happy - FRND
Features, Interviews, Music, ReviewsMay 3, 2017<May 3, 2017

The Tender Emotion and Poignant Closure of FRND’s “Be Happy”

by Mitch Mosk
WVM © 2017
Music, Music Videos, PremieresMay 2, 2017<May 2, 2017

Premiere: The Dark Allure and Primal Urge of WVM’s “I Will Run”

by Mitch Mosk
Posts pagination
1 … 641 642 643 644 645 … 711

Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services