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Music, Today's SongSeptember 25, 2017<September 25, 2017

Today’s Song: Challenging Concepts of Love, Ambiguity and Gender Performance On Duckwrth’s “Boy”

by Brandon Payano
Music, Today's SongSeptember 22, 2017<September 22, 2017

Today’s Song: Sink into the “WATR” with REGN

by Alex Killian
Debut, Interviews, MusicSeptember 22, 2017<November 27, 2017

New Beginnings and Falling into Pieces: A Conversation with Cape Francis

by Kelly Wynne
Music, Music Videos, PremieresSeptember 21, 2017<September 22, 2017

Premiere: Todd Kessler Brings All of Autumn’s Melancholy on “The Letter”

by James Crowley
Features, Interviews, MusicSeptember 21, 2017<September 25, 2017

All Things Must Pass: A Conversation with Dan Croll

by Maggie McHale
Columns, Music, Music Videos, ViewfinderSeptember 21, 2017<May 16, 2023

Viewfinder: Revolution and Witches – Imagining Alternate Worlds through Stop Motion Animation

by Carmen Chan
Music, Music You Should KnowSeptember 20, 2017<September 20, 2017

Music You Should Know: Easing Out of Summer with Twin Peaks

by Olivia Perry
Music, Our Take, ReviewsSeptember 20, 2017<September 21, 2017

Our Take: You Don’t Know Jorja Smith Until You Know ‘Project 11’

by Sydney Sweeney
Interviews, MusicSeptember 19, 2017<September 19, 2017

Unconscious Stream-of-Consciousness: A Conversation with Lina Tullgren

by James Crowley
The National © Graham MacIndoe
Features, Music, ReviewsSeptember 19, 2017<January 3, 2018

On Vulnerability and Musical Warmth: Introducing The National’s ‘Sleep Well Beast’

by Atwood Magazine Staff
flatsound © 2015
Music, Music You Should Know, ReviewsSeptember 19, 2017<September 19, 2017

Music You Should Know: On Music & Mental Health in flatsound’s Latest Album

by Urooj Ali Rizvi
Music, Today's SongSeptember 19, 2017<September 19, 2017

Today’s Song: Daz Rinko Talks About That “Black Boy Joy”

by Baylee Less
Sløtface © Victoria Stevens
Debut, Features, Interviews, Music, ReviewsSeptember 18, 2017<September 18, 2017

On Teen Sleuths, Breakups with Body Image, & Freaking Out: A Conversation with Sløtface

by Lindsay Call
QTY © Danny North
Columns, Features, Music, This Just In, Today's SongSeptember 18, 2017<October 5, 2017

This Just In: The Confessional Brilliance of QTY’s “Michael”

by Nicole Almeida
Agnes, No Surprises viewfinder
Columns, Music, Music Videos, ViewfinderSeptember 15, 2017<October 13, 2017

Viewfinder: “Agnes” & “No Surprises” Symbolize Emotional Pain Through Physical Agony

by Carmen Chan
Posts pagination
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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