• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
The New Pornographers © Jennifer Jimenez
Concerts, Music, ReviewsApril 21, 2017<April 21, 2017

LIVE: The New Pornographers Dazzle in Return to Chicago

by Erika Kooda
Hoyle © Herb Gonzalez
Music, Music Videos, PremieresApril 21, 2017<April 21, 2017

Video Premiere: The Pain & Passionate Plea of Hoyle’s Anthemic “Revival”

by Mitch Mosk
TENTS © Josh Brine
Music, PremieresApril 21, 2017<April 21, 2017

Premiere: TENTS Make Art of Dichotomies in “Back Yards”

by Nicole Almeida
Joywave © David O'Donohue
Music, Reviews, This Just InApril 21, 2017<April 21, 2017

This Just In: Joywave’s “Content” is a Creepy, Double-Edged Sword

by Sydney Sweeney
Everything Turned to Color © Taylor Ballantyne
Debut, Music, PremieresApril 20, 2017<April 20, 2017

Premiere: Everything Turned to Color’s Heartfelt “Once Upon a Lifetime”

by Mitch Mosk
Maggie Rogers © Brooke Svitak @bsvis
Concert Conversations, Concerts, Music, ReviewsApril 20, 2017<April 20, 2017

LIVE: Maggie Rogers Lights Up the Music Hall of Williamsburg

by Carmen Chan
Vylet © 2017
Debut, Music, PremieresApril 20, 2017<April 20, 2017

Premiere: The Dreamy Intimacy of Vylet’s Lovestruck “Lightning”

by Mitch Mosk
broken - lovely.the.band single art
Columns, Debut, Music, Today's SongApril 20, 2017<August 12, 2019

True Connection & Perfect Imperfection in lovely.the.band’s Debut “broken”

by Mitch Mosk
Nevermind - Nirvana
Music, Time MachineApril 20, 2017<November 3, 2022

Time Machine: Smells Like Revolution – Nirvana in the ’90s

by Erika Kooda
Stay Inside © 2017
Debut, Music, PremieresApril 19, 2017<April 19, 2017

Premiere: Stay Inside’s “Blockbussa” Evokes the Isolation of Culture Clash

by Mitch Mosk
MAZES - bookstore
Music, PremieresApril 18, 2017<April 18, 2017

Premiere: Mazes Set Off on Adventure in “West Coast Revolution”

by Mitch Mosk
Annabel Allum © Rob Blackham
Interviews, MusicApril 18, 2017<April 18, 2017

Creating, Rebelling, & Just ‘Doing Everything’: A Conversation with Annabel Allum

by Lindsay Call
Tyler Sjöström © Megan Cody
Music, PremieresApril 18, 2017<April 18, 2017

Premiere: Tyler Sjöström Unleashes His Emotion Through “Holding On”

by Renae Weaver
Columns, Music, Today's SongApril 18, 2017<April 17, 2017

Today’s Song: Idealism and Purpose in ALOK’s “Hear Me Now”

by Maggie McHale
Dabble © 2017
Debut, Music, PremieresApril 17, 2017<April 17, 2017

Album Premiere: The Colorful Dreaminess of Dabble’s Debut ‘Touch’

by Mitch Mosk
Posts pagination
1 … 644 645 646 647 648 … 711

Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services