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Still from Colony House's "You Know It" music video
Columns, Music, Today's SongJuly 19, 2016<July 19, 2016

Today’s Song: From Nashville to San Francisco, Colony House Returns with “You Know It”

by Kaitlyn Zorilla
Debut, Features, Music, PremieresJuly 18, 2016<July 18, 2016

Exclusive Premiere: Mean Siders Debut with Unforgiving Energy on “Fashioned Ribs”

by Mitch Mosk
Still from John the Ghost's "Sour Grapes" music video
Columns, Debut, Music, Today's SongJuly 18, 2016<July 18, 2016

Today’s Song: John the Ghost Bares His Soul with “Sour Grapes”

by Natalie Harmsen
CAFUNÉ © Savannah Daras
Features, Interviews, MusicJuly 15, 2016<July 15, 2016

“Don’t You Forget” to Love Yourself: An Interview with CAFUNÉ

by Mitch Mosk
Public Access T.V. © Nick Sethi
Columns, Music, Today's SongJuly 15, 2016<July 15, 2016

Today’s Song: Public Access T.V. Keep Their Cool in “Sudden Emotion”

by Lindsay Call
still from Deepakalypse's "Dim Sum" music video
Features, Music, Music Videos, PremieresJuly 14, 2016<July 14, 2016

Exclusive Premiere: Deepakalypse’s “Dim Sum” Soaks Up the Summer Sun

by Mitch Mosk
Marian Hill / courtesy of the artist
Features, Music, Our Take, ReviewsJuly 14, 2016<July 14, 2016

Our Take: Less Is More in Marian Hill’s “ACT ONE”

by Ethan Germann
still from Jeremy & The Harlequins' "Into the Night" music video
Features, Interviews, Music, VideoJuly 13, 2016<July 13, 2016

INTERVEW: Jeremy & the Harlequins’ Never-Ending Journey “Into the Night”

by Mitch Mosk
Cicada Rhythm perform "Static in My Dream"
Atwood x LiveSyphon, Columns, Features, Music, VideoJuly 12, 2016<July 13, 2016

Atwood Magazine and LiveSyphon Present: Cicada Rhythm’s Breathtaking Chemistry

by Mitch Mosk
"Lovely Bones" music video - BRÅVES
Columns, Music, Today's SongJuly 11, 2016<July 11, 2016

Today’s Song: Potency and Raw Emotion in BRÅVES’ “Lovely Bones”

by Maggie McHale
ANNALIA © Mackenzie Maroney
Debut, Features, Music, PremieresJuly 8, 2016<July 8, 2016

Exclusive Premiere: ANNALIA’s “STRANGERS” (Em)Powers Through Pains of Love

by Mitch Mosk
Band of Skulls © Andy Cotterill
Features, Interviews, MusicJuly 8, 2016<July 11, 2016

Ferocious and Tender By Default: An Interview with Band of Skulls

by Mitch Mosk
Sisteray 2016 © Alberto Pezzali
Columns, Music, Today's SongJuly 7, 2016<July 8, 2016

Today’s Song: Never Mind the…Gastropubs? Sisteray Takes Aim in “Gentrification”

by Lindsay Call
Handsome Ghost "Eyes Wide" promo
Columns, Music, Today's SongJuly 6, 2016<July 7, 2016

Today’s Song: “Eyes Wide,” Handsome Ghost’s Tropical Summer Spark

by Mitch Mosk
Soft Corporate © Aleksandar Jason 2016
Columns, Debut, Music, Today's SongJuly 5, 2016<July 5, 2016

Today’s Song: Sail Away on Soft Corporate’s Breathtaking “Boats”

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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