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Art, Essays, FashionFebruary 9, 2015<April 17, 2015

Telma Oliveira: A Feature Editorial

by Laura Wingfield
Art, Features, Interviews, MusicFebruary 4, 2015<February 4, 2015

A Conversation with Young & Sick

by Liza
Features, Interviews, MusicFebruary 2, 2015<February 3, 2015

A Conversation with Emilíana Torrini

by Celia
Shots - Imagine Dragons
Features, Music, News, Previews, ReviewsJanuary 31, 2015<February 5, 2015

Imagine Dragons Album Preview and the Darkness Of “Shots”

by Mitch Mosk
Concerts, Features, Interviews, MusicJanuary 25, 2015<January 25, 2015

A Conversation with Cherub

by Molly Golski
Reviews, Today's Song, VideoJanuary 23, 2015<October 15, 2015

TODAY’S SONG: “ Who We Were With” – Paradise Fears

by Mitch Mosk
Music, Today's SongJanuary 22, 2015<January 22, 2015

Today’s Song: “Leaf Off / The Cave” by José González

by Liza
Concert Conversations, Concerts, Music, Our Take, ReviewsJanuary 21, 2015<January 21, 2015

Concert Conversations: Sylvan Esso at The Jefferson

by Liza
The Airborne Toxic Event
Concerts, Music, News, PreviewsJanuary 20, 2015<January 21, 2015

The Airborne Toxic Event announce 4th album “Dope Machines”

by Mitch Mosk
The Eeries
Debut, Music, Our Take, ReviewsJanuary 15, 2015<January 15, 2015

LA “Cool Kids” The Eeries Challenge the Mainstream with Debut EP

by Mitch Mosk
Columns, Music, Today's SongJanuary 14, 2015<February 13, 2017

Conversation with Artist Jon-Phillip Sheridan

by Liza
Debut, Music, Our Take, ReviewsJanuary 10, 2015<January 10, 2015

Today’s Song: Experience by Kacy Hill

by Liza
Conversation with John Waller
Art, Features, Interviews, PhotographyJanuary 9, 2015<January 9, 2015

Conversation with John Waller

by Liza
Catfish and the Bottlemen
Music, Reviews, Today's SongJanuary 4, 2015<January 8, 2019

Today’s Song: “Homesick” – Catfish and the Bottlemen

by Mitch Mosk
Cardboard Kids promo
Music, Today's SongJanuary 2, 2015<January 3, 2015

Today’s Song: “Honey” – Cardboard Kids

by Mitch Mosk
Posts pagination
1 … 726 727 728 729 730 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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