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MusicJanuary 1, 2015<January 1, 2015

Editor’s Picks: Liza’s Top Albums of 2014

by Liza
Sir Sly (photo: Eliot Lee Hazel)
MusicDecember 31, 2014<May 18, 2025

Editor’s Picks: Mitch’s Top Albums of 2014

by Mitch Mosk
Music, Today's SongDecember 30, 2014<December 30, 2014

Today’s Song: “Gong” – Favela

by Liza
Fashion, Features, InterviewsDecember 27, 2014<October 9, 2023

A Conversation with Fashion Designer Alan Taylor

by Liza
Essays, Fashion, PhotographyDecember 23, 2014<December 26, 2014

“The Lost Poem” // Jesús Villanueva for Atwood Magazine

by Liza
Music, NewsDecember 23, 2014<June 19, 2015

Atwood’s Picks: December 2014

by Liza
Features, Interviews, MusicDecember 17, 2014<December 31, 2014

A Conversation with Andy Bull

by Cristina
Concerts, Music, ReviewsDecember 17, 2014<September 23, 2015

A Night At The Plaza, feat. New Politics & Bad Suns

by Mitch Mosk
Debut, Music, ReviewsDecember 15, 2014<March 2, 2025

Holla! Sinclair’s “Sweet Talk” EP is Passionate Indie Pop

by Mitch Mosk
KONGOS Vancouver Press Photo High Res 9.4.14
Music, Today's SongDecember 14, 2014<December 14, 2014

Today’s Song: “I’m Only Joking” – KONGOS

by Mitch Mosk
Music, Today's SongDecember 11, 2014<December 11, 2014

Today’s Song: “Kerosene” – Kapitals

by Mitch Mosk
Columns, Concert Conversations, Concerts, Music, ReviewsDecember 10, 2014<December 10, 2014

Concert Conversations: Iron and Wine at the Adelphi

by Christian
Music, Today's SongDecember 10, 2014<December 10, 2014

Today’s Song: “Late” – Jungle Doctors

by Mitch Mosk
Music, Today's SongDecember 9, 2014<December 11, 2014

Today’s Song: “Whiskey Bar” – Echotape

by Mitch Mosk
Columns, Music, Pop Matters, ReviewsDecember 8, 2014<December 5, 2017

Underneath Swift’s Wildest Dreams

by Kelly McCafferty Dorogy
Posts pagination
1 … 727 728 729 730 731 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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