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James Bay and Jon Batiste © David O'Donohue
Columns, Interviews, Music, Today's SongMarch 26, 2025<March 26, 2025

“You’re Like Sunshine in the Room”: James Bay & Jon Batiste Celebrate Love with Harmony, Heart, and Soul

by Mitch Mosk
Your Smith © Erica Hernandez
Features, Interviews, MusicMarch 25, 2025<March 25, 2025

“A Little Underdressed and a Teeny Bit Sloppy”: Your Smith Returns with a ‘De-Invention’ on Her Own Terms

by Mitch Mosk
Idiotwin LP - Idiotwin
Essays, MusicMarch 25, 2025<March 25, 2025

An Indie Insight: My Experience Releasing an Album as an Independent Musician

by Frederick Bloy
Jill Andrews © 2025
Features, Interviews, MusicMarch 25, 2025<March 25, 2025

Interview: Jill Andrews Confronts the Darkness Head-On With ‘Big Feelings’

by Emily Frances Algar
Carlie Hanson © 2025
Music, Playlists, Women's History MonthMarch 25, 2025<March 25, 2025

“The Hottest of the Hot”: A Women’s History Month Playlist by Carlie Hanson

by Guest Writer
CLOVER © Jennie Hankins
Essays, Music, Women's History MonthMarch 25, 2025<March 12, 2026

“How the Menstrual Cycle Influences My Songwriting and Artistry”: An Essay by CLOVER for Women’s History Month

by Guest Writer
KTJ & Carly © Lauren Nieves
Columns, Music, Today's SongMarch 25, 2025<March 25, 2025

Today’s Song: KTJ & CARLY Turn Heartbreak into Sweet Revenge on “Good Day”

by Chloe Robinson
Puma Blue © Liv Hamilton
Features, Interviews, MusicMarch 24, 2025<March 24, 2025

“I Wanted to Make Something That Was Kind of Lulling You to Sleep”: Puma Blue Talks Honesty, Spirituality, & Stepping Out of the Box With ‘antichamber’

by Desire' Jackson-Crosby
Buick Audra © Anna Haas
Essays, Music, Women's History MonthMarch 24, 2025<March 24, 2025

“On Learning to Be Proud of My Music as a Firstborn Adult Child Daughter”: An Essay by Buick Audra for Women’s History Month

by Guest Writer
Paula Cole © 2025
Essays, Music, Women's History MonthMarch 24, 2025<March 24, 2025

“Paula Cole, a Masterclass in Artistic Authenticity”: An Essay by Katherine DePaul for Women’s History Month

by Guest Writer
SXSW Paramount Marquee for 2026!
Concerts, Music, ReviewsMarch 24, 2025<March 24, 2025

The Best Sounds from SXSW 2025

by Marissa DeLeon
Bon Iver's Justin Vernon © Graham Tolbert
Columns, Music, Today's SongMarch 24, 2025<March 24, 2025

Today’s Song: Bon Iver & Danielle Haim’s Heartfelt Duet on Love’s Fragile Edge in “If Only I Could Wait”

by Danielle Holian
Atwood Magazine's 115th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 21, 2025<March 24, 2025

Editor’s Picks 115: Chappell Roan, Jo Hill, Joy Oladokun, Trousdale, MARIS, & The Ophelias!

by Mitch Mosk
Dog Eared - Billie Marten
Columns, Music, Today's SongMarch 21, 2025<March 21, 2025

Today’s Song: Billie Marten Gently Lifts Us Up to Heights Unknown in “Feeling”

by Noa Jamir
Sister Rosetta Tharpe
Essays, Features, Music, Women's History MonthMarch 21, 2025<March 21, 2025

Amplified: Women Who Shaped Rock and Metal Music

by Kendall Graham
Posts pagination
1 … 75 76 77 78 79 … 740

Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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