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Chesle © Jimmy Fontaine
Interviews, MusicDecember 20, 2024<December 20, 2024

Interview: From The Lumineers to 50 Cent, Chesle Talks Influences, Bravery, and New Single “lose control”

by Kelly McCafferty Dorogy
Atwood Magazine's 2024 Albums of the Year
Features, Lists, MusicDecember 19, 2024<January 6, 2025

Atwood Magazine’s 2024 Albums of the Year

by Atwood Magazine Staff
The Best Music of 2024, According to Our Favorite Artists!
Features, Lists, MusicDecember 19, 2024<December 19, 2024

The Best Music of 2024, According to Our Favorite Artists!

by Atwood Magazine Staff
Atwood Magazine's 2024 Mistletones, Pt. 2!
Features, Interviews, Lists, Mistletones, MusicDecember 18, 2024<December 18, 2024

Atwood Magazine Presents Mistletones: 2024’s Best New Holiday Songs, Pt. 2!

by Atwood Magazine Staff
Atwood Magazine's 2024 Songs of the Year
Features, Lists, MusicDecember 18, 2024<December 18, 2024

Atwood Magazine’s 2024 Songs of the Year

by Atwood Magazine Staff
Hannah McKittrick © Ollie Cox
Columns, Music, Today's SongDecember 17, 2024<December 17, 2024

Today’s Song: Melbourne’s Hannah McKittrick Cuts Like a Knife in “Utensil,” a Softly Stirring Alt-Rock Upheaval

by Mitch Mosk
Atwood Magazine's 2024 Mistletones, Pt. 1!
Features, Interviews, Lists, Mistletones, MusicDecember 16, 2024<December 16, 2024

Atwood Magazine Presents Mistletones: 2024’s Best New Holiday Songs, Pt. 1!

by Atwood Magazine Staff
Thanks a Million - Dino Expedition
Debut, Features, Interviews, Music, Track-by-TrackDecember 13, 2024<December 13, 2024

Feature: Dino Expedition Dwell in Memory & Raw Emotion on ‘Thanks a Million,’ an Intensely Intimate Indie Rock Debut

by Mitch Mosk
Atwood Magazine's Weekly Roundup | December 13, 2024
Columns, Features, Music, Weekly RoundupDecember 13, 2024<December 13, 2024

Atwood Magazine’s Weekly Roundup: December 13, 2024

by Atwood Magazine Staff
Blair "Late To The Party" © Lex Lanez
Columns, Music, Today's SongDecember 13, 2024<December 13, 2024

“Young, wild, and free”: Detroit’s Blair Embraces the Long Game in “Late to the Party,” Her Empowering Alt-Pop Fever Dream

by Mitch Mosk
Atwood Magazine Editor's Picks 106
Columns, Editor's Picks, Features, MusicDecember 12, 2024<January 13, 2025

Editor’s Picks 106: Bleach Lab, Soda Blonde, Mara Connor, Witch Post, Arny Margret, & Fright Years!

by Mitch Mosk
Linkin Park © James Minchin III
Features, Music, Reviews, RoundtableDecember 12, 2024<December 12, 2024

Roundtable Discussion: A Review of Linkin Park’s ‘From Zero’

by Atwood Magazine Staff
Dylan Cartlidge © Leo Walton
Columns, Music, Today's SongDecember 12, 2024<December 12, 2024

“When the sun hits the water, it’s a smile on my face”: Dylan Cartlidge Channels Joy into Song on His Hopeful, Sunny, & Soulful “New Day”

by Mitch Mosk
Bull © Liam Maxwell
Features, Interviews, Music, Track-by-TrackDecember 12, 2024<December 12, 2024

Track-by-Track: York’s Bull Hit the Sweet Spot With ‘Engines of Honey,’ a Sun-Kissed, Smile-Inducing Fever Dream

by Mitch Mosk
total tommy's Jess Holt © Andrea Veltom
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

“Scuzzy, Gritty, & Grimy”: total tommy’s Jess Holt Bares Her Scars on ‘bruises,’ Her Brutally Raw Debut LP

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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