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Melt-Banana © Resource Graphics
Music, ReviewsSeptember 23, 2024<September 23, 2024

Review: Melt-Banana Continue a 30-Year Streak of Excellence With ‘3+5,’ a Bold, Creative, & Face-Melting Noise Rock Masterpiece

by Jake Fewx
Liam Gallagher © Greg Williams
Editorials, MusicSeptember 23, 2024<September 23, 2024

Essay: Liam Gallagher, the Enigma

by Guest Writer
Leif Vollebekk © Nicholas Sutton Bell
Columns, Music, Today's SongSeptember 22, 2024<September 22, 2024

Today’s Song: Leif Vollebekk Gives Us “Peace of Mind” With a Dreamy, Soul-Stirring, Feel-Good Reverie

by Mitch Mosk
Sydney Sprague © Tyler Ann
Columns, Music, Today's SongSeptember 21, 2024<September 21, 2024

“Grab at the string, pull at the end”: Sydney Sprague’s Spirited Self-Soothing Anthem “i tried my best” ft. Kevin Devine

by Mitch Mosk
Hamish Monk
Columns, Meet Our WritersSeptember 21, 2024<September 21, 2024

Meet Our Writers: Essex’s Hamish Monk

by Hamish Monk
Joan & the Giants "Feels Like Heartache" © 2024
Columns, Music, Today's SongSeptember 20, 2024<September 20, 2024

Joan & the Giants Pull Us in on “Feels Like Heartache,” a Brutally Honest Song of Love, Loss, & Longing

by Mitch Mosk
Wilderado © Cassidy Mandel
Features, Interviews, Music, Track-by-TrackSeptember 20, 2024<October 5, 2024

Track-by-Track: Wilderado Embrace Intentionality on ‘Talker,’ Their Spirited & Soul-Stirring Sophomore Album

by Mitch Mosk
beabadoobee 'This Is How Tomorrow Moves' © Jules Moskovtchenko
Features, Music, Reviews, RoundtableSeptember 20, 2024<September 24, 2024

Roundtable Discussion: A Review of beabadoobee’s ‘This Is How Tomorrow Moves’

by Atwood Magazine Staff
Noga Erez © Dudi Hasson
Features, Interviews, MusicSeptember 20, 2024<September 20, 2024

“I’m proud of how uncompromising it is”: Noga Erez on Her Monster Alt-Pop Album, ‘The Vandalist’

by Christine Buckley
Jamie xx © Alasdair McLellan
Music, ReviewsSeptember 20, 2024<September 20, 2024

An Album Oozing With Dangerous Ecstasy, ‘In Waves’ Is an Intense Dive into Jamie xx’s New Sound

by Liv Goodbody
Musogabi © Micky Yun
Debut, Features, Interviews, MusicSeptember 19, 2024<September 19, 2024

“Trying to Find My Way”: Musogabi Reaches for the Stars in His Debut Album ‘Cassiopeia’

by Sophie Severs
Sally Mango © 2024
Interviews, MusicSeptember 19, 2024<September 29, 2024

Interview: Sally Mango on Musical Liberation, Growth and New Eras in ‘Homemade’

by Rachel Leong
Lily Kershaw © Cort Wilson
Features, Interviews, Music, Track-by-TrackSeptember 18, 2024<September 18, 2024

Feature: Lily Kershaw Unpacks Depression, ‘Pain & More’ on Her Honest, Intimate, & Revealing Third Album

by Mitch Mosk
Rodeo Parade © 2024
Artist to Watch, Music, PremieresSeptember 18, 2024<September 18, 2024

“Strangers in another life fell hard at the right time”: Rodeo Parade’s Heart Shines on “Seasons Waiting,” a Timeless Love Song of Warmth, Wonder, & Sweet Romance

by Mitch Mosk
Ziyad Al-Samman © Austn Fischer
Music, PremieresSeptember 18, 2024<September 18, 2024

Premiere: London’s Ziyad Al-Samman Breaks Out With a “Bang” of Love, Madness, & Disco Pop Flare

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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