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Sweet Unrest © Albert Jagger
Interviews, MusicMarch 5, 2025<March 19, 2025

Interview: Sweet Unrest on Their Poetic Roots, Speed Punk Sound, and Forging a Unique Path

by Chloe Robinson
Sam Fender © Sarah Louise Bennett
Music, Reviews, Track-by-TrackMarch 5, 2025<March 5, 2025

“I’m Not Preaching, I’m Just Talking”: Sam Fender’s ‘People Watching’ Is a Masterpiece of Reflection, Resilience, & Raw Humanity

by Brianna Corrine
Malcolm Todd © Aidan Cullen
Columns, Music, Today's SongMarch 5, 2025<March 5, 2025

Today’s Song: Malcolm Todd and Omar Apollo’s “Bleed” Is a Danceable Dive into Heartache and Power

by Miranda Urbanczyk
DD Allen © Rachel DiBiaso
Music, PremieresMarch 4, 2025<March 4, 2025

Premiere: DD Allen’s “I See You in the Dark” Shines With Hope, Heart, and a Rebel’s Resolve

by Mitch Mosk
DJ Minx © 2025
Black History Month, Essays, MusicMarch 4, 2025<March 19, 2025

“My Black Journey to Queendom”: An Essay by DJ Minx for Black History Month

by Guest Writer
The Weeknd © 2025
Music, ReviewsMarch 4, 2025<March 4, 2025

Review: The Weeknd’s ‘Hurry Up Tomorrow’ Is a Gorgeously Painful Masterpiece on Forgiveness, Healing, & the Tribulations of Fame

by Lauren Turner
Lucy Dacus © Shervin Lainez
Columns, Music, Today's SongMarch 4, 2025<March 4, 2025

Lucy Dacus Escapes Love With “Best Guess” and “Limerence”

by Marc Maleri
Sy Ari Da Kid © Chase Gozy
Black History Month, Essays, MusicMarch 3, 2025<March 3, 2025

“The Last Shadow in the Shade”: An Essay by Sy Ari Da Kid for Black History Month

by Guest Writer
The Lumineers © Noah Griffel
Features, Interviews, MusicMarch 3, 2025<March 3, 2025

The Magic of The Lumineers: An ‘Automatic’ Interview With Jeremiah Fraites

by Kelly McCafferty Dorogy
Sub Radio © Annaliese Baker
Concerts, Music, ReviewsMarch 3, 2025<March 3, 2025

Live Review: Sub-Radio Brighten Chicago Winter on the Sunrise City Tour

by Annaliese Baker
Selena Gomez, Benny Blanco, & Gracie Abrams © Aidan Cullen
Columns, Music, Today's SongMarch 3, 2025<March 3, 2025

Today’s Song: Selena Gomez, Benny Blanco, & Gracie Abrams Navigate Heartbreak and Hope in “Call Me When You Break Up”

by Danielle Holian
Chioke © Quincey Best
Black History Month, Essays, MusicMarch 3, 2025<March 3, 2025

“When in Doubt”: Two Poems by Chioke for Black History Month

by Guest Writer
Joy Clark © Steve Rapport
Black History Month, Essays, MusicMarch 3, 2025<March 3, 2025

“Finding Inspiration, Creativity, & Connection Right Around Me”: An Essay by Joy Clark for Black History Month

by Guest Writer
Julien Baker & TORRES © Ebru Yildiz
Columns, Music, Today's SongMarch 2, 2025<March 2, 2025

“Sylvia, don’t forget me”: Julien Baker & TORRES’ Soul-Stirring Ode to Unconditional Love

by Mitch Mosk
Stevie Bill "Fan" © Monique Penders
Columns, Music, Today's SongMarch 1, 2025<March 1, 2025

“Don’t Spoil My Appetite”: Stevie Bill’s “Fan” Is a Euphoric Love Letter to the the Fever of Fandom

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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