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Down North
Black History Month, Essays, MusicFebruary 26, 2025<March 11, 2025

“The ‘So What’ Mentality – Reclaiming Black Art & Ownership”: An Essay by Anthony Briscoe for Black History Month

by Guest Writer
Pan Amsterdam © Louise Mason
Black History Month, Essays, MusicFebruary 26, 2025<February 26, 2025

“On Identity – A Look into Integration from One Artist’s Experience”: An Essay by Pan Amsterdam for Black History Month

by Guest Writer
Juice Mazelee
Black History Month, Essays, MusicFebruary 26, 2025<February 26, 2025

“Time Is Black”: An Essay by Juice Mazelee for Black History Month

by Guest Writer
Revelation - Leif Vollebekk
Features, Interviews, MusicFebruary 26, 2025<February 26, 2025

Interview: Leif Vollebekk on Music, Mysticism, and the Journey to ‘Revelation’

by Mitch Mosk
Alethea Crimmins © 2025
Black History Month, Essays, MusicFebruary 26, 2025<February 26, 2025

“Unapologetic Brilliance – My Journey to Shine”: An Essay by Alethea Crimmins for Black History Month

by Guest Writer
Tate McRae 'So Close to What' © Charlie Denis 8.3
Music, Our Take, ReviewsFebruary 26, 2025<February 26, 2025

Our Take: Tate McRae’s ‘So Close to What’ Is a Defining Moment in Pop Music

by Danielle Holian
PUP © Vanessa Heins
Columns, Music, Today's SongFebruary 26, 2025<February 26, 2025

PUP Return to Their Roots in “Hallways,” a Reflective & Mature Triumph

by Kaiana Lee
OneDa © Debbie Ellis
Black History Month, Essays, MusicFebruary 25, 2025<February 25, 2025

“THE IMPOSTER”: A Poem by OneDa for Black History Month

by Guest Writer
Farrah Fawx © Allen Daniels
Black History Month, Essays, Music, PlaylistsFebruary 25, 2025<February 25, 2025

“Joy Is My Genre – Escapism Through Black Music”: A Black History Month Playlist by Farrah Fawx

by Guest Writer
Youth Lagoon © Tyler T Williams
Columns, Music, Today's SongFebruary 25, 2025<February 25, 2025

Today’s Song: On “Speed Freak,” Youth Lagoon Shows He’s Not Slowing Down Anytime Soon

by Anu Sarode
Casper Sage © Connor Peterson
Black History Month, Essays, MusicFebruary 25, 2025<February 25, 2025

“The Sound of Becoming”: An Essay by Casper Sage for Black History Month

by Guest Writer
Naomi Westwater © Ally Schmaling
Black History Month, Essays, MusicFebruary 25, 2025<February 25, 2025

“Tips & Tools for Tenderness When the World Is Hard”: An Essay by Naomi Westwater for Black History Month

by Guest Writer
virgogabrielle © @gabbyshesdope
Black History Month, Essays, MusicFebruary 25, 2025<February 25, 2025

“Havisham – How the Charles Dickens Character Inspired a Track”: An Essay by virgogabrielle for Black History Month

by Guest Writer
Kameron Marlowe © Ben Dartnell
Features, Interviews, MusicFebruary 24, 2025<February 24, 2025

Interview: Country Singer Kameron Marlowe Follows the Muse on ’Sad Songs for the Soul’

by Emily Frances Algar
Ashley Cooke & Joe Jonas © Mick Bodie
Columns, Music, Today's SongFebruary 24, 2025<February 24, 2025

Today’s Song: Ashley Cooke & Joe Jonas Deliver a Heartbreak Anthem to Remember With “All I Forgot”

by Danielle Holian
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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