Music, PremieresSeptember 18, 2024<September 18, 2024 “My skin was blue, but that’s okay”: Brooklyn’s Dino Expedition Premiere “Marie,” an Aching Indie Folk Song of Trauma, Innocence, & Trust Betrayed by Mitch Mosk
Editorials, Music, ReviewsSeptember 18, 2024<September 18, 2024 Beyond a ‘Reasonable Doubt’: Why Jay-Z’s Debut Is the Greatest Rap Album of All Time by Eric Schuster
Artist to Watch, Columns, Music, ReviewsSeptember 18, 2024<September 18, 2024 “Breaking this open meant starting a riot”: Angie McMahon’s “Untangling” Is a Masterclass in Cinematic Vulnerability by Mitch Mosk
Music, Music Videos, PremieresSeptember 17, 2024<September 17, 2024 Premiere: William Harries Graham Encompasses the Early Morning Mood With “On the Outside” by Frankie Rose
Features, Interviews, MusicSeptember 17, 2024<September 17, 2024 “Being One With What You Make”: Ashton Irwin of 5 Seconds of Summer Traverses Passion, Philosophy, and Artistic Identity on ‘BLOOD ON THE DRUMS’ by Isabella Le
Concerts, Music, ReviewsSeptember 17, 2024<September 17, 2024 Live Review: Wunderhorse Deliver on the Hype at Brooklyn’s Union Pool by Christine Buckley
Columns, Features, Music, Weekly RoundupSeptember 16, 2024<September 18, 2024 Atwood Magazine’s Weekly Roundup: September 16, 2024 by Atwood Magazine Staff
Interviews, MusicSeptember 16, 2024<September 16, 2024 “There’s beauty and fascination in depression and darkness, but at the same time, there’s lightness and levity”: Cults Discuss Their New Album, ‘To the Ghosts’ by Marc Maleri
Music, ReviewsSeptember 14, 2024<September 15, 2024 Looking Out from Catfish and the Bottlemen’s ‘The Balcony,’ a Decade On by Emma Schoors
Columns, Meet Our WritersSeptember 14, 2024<September 13, 2024 Meet Our Writers: London’s Liv Goodbody! by Liv Goodbody
Features, Interviews, MusicSeptember 13, 2024<September 27, 2024 “The most personal is the most universal”: COIN’s ‘I’m Not Afraid of Music Anymore’ Is a Triumph of Love, Vulnerability, & Self-Acceptance by Mitch Mosk
Features, Interviews, MusicSeptember 13, 2024<September 13, 2024 “Everything’s here and nothing’s lost”: Snow Patrol Continue to Write Their Legacy on Spellbinding ‘The Forest Is The Path’ by Aaron Childree
Columns, Interviews, Music, Today's SongSeptember 13, 2024<September 13, 2024 Interview: Charli Adams’ Inner Light Shines on “Airlifter,” an Anthem of Love, Friendship, & Showing Up for Others by Mitch Mosk
Features, Interviews, Music, Track-by-TrackSeptember 13, 2024<September 13, 2024 Track-by-Track: Earthquake Lights Explore Self-Reflection in ‘Signs of Life’ by Joe Beer
Music, PremieresSeptember 12, 2024<September 12, 2024 “All Bets Are Off”: Brooklyn’s Awksymoron Premiere a Hopeful Ode to Life, Friendship, & Uncertainty by Mitch Mosk
For the Love of Music
For the Love of Music
