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Amanda Bergman © Julia Mård
Columns, Music, Today's SongSeptember 12, 2024<October 9, 2024

“The sky isn’t only smoke, child”: The Heartfelt Hope & Dreamy Heat of Amanda Bergman’s “All Over Town”

by Mitch Mosk
Bad Nerves in LA © Miranda McDonald
Concerts, Music, ReviewsSeptember 12, 2024<September 12, 2024

“Leave It All at the Door, I’ll Show You”: Setting Los Angeles Alight With Bad Nerves

by Emma Schoors
Maddie Regent © Anna Koblish
Features, Interviews, MusicSeptember 12, 2024<September 12, 2024

Interview: Maddie Regent Is Both a “Recovering Overachiever” and a Conscious Pop Star on the Rise

by Noah Wade
Party Nails © Naz Massaro
Music, PremieresSeptember 12, 2024<September 12, 2024

Premiere: Party Nails Reconnects With Her Younger Self on Easygoing “Same Old Song”

by Frankie Rose
Ok Cowgirl © Alex Brown
Features, Interviews, MusicSeptember 11, 2024<September 11, 2024

“There’s a million ways to exist in this world”: Ok Cowgirl’s Leah Lavigne on ‘Couldn’t Save Us From My Gut,’ Honest Musicianship, and Being Asian-American

by Rachel Leong
Pigeon Club's Wayne Whittaker © Magana
Features, Interviews, MusicSeptember 11, 2024<September 11, 2024

“I’ve always been drawn to wimpy music”: Pigeon Club Discusses His Contemplative & Wistful Album ‘Another Year in the Minors’

by Chloe Robinson
Fiona-Lee "Nothing Compares To Nineteen" © Flower Up
Artist to Watch, Columns, Music, Today's SongSeptember 11, 2024<September 11, 2024

“He said boys didn’t talk about feelings”: A Vulnerable Rock Confession on Fiona-Lee’s “Nothing Compares to Nineteen”

by Christine Buckley
Romance - Fontaines D.C.
Features, Music, Reviews, RoundtableSeptember 10, 2024<September 10, 2024

Roundtable Discussion: A Review of Fontaines D.C.’s ‘Romance’

by Atwood Magazine Staff
Chappell Roan performs at Outside Lands 2024
Festival, Music, ReviewsSeptember 10, 2024<September 10, 2024

Review: Outside Lands Boasts Queer and Bay Area Pride in Its Sixteenth Year

by Ankita Bhanot
Atwood Magazine's Weekly Roundup | September 9, 2024
Columns, Features, Music, Weekly RoundupSeptember 10, 2024<September 11, 2024

Atwood Magazine’s Weekly Roundup: September 9, 2024

by Atwood Magazine Staff
No Friends - Mensiing x siii3eyes
Music, ReviewsSeptember 10, 2024<September 10, 2024

Review: Mensing & siii3eyes Revel in Melancholy on ‘No Friends,’ a Colorful, Contemplative, & Resolute Masterclass In Lo-fi Hip-Hop

by Jake Fewx
Lunar Vacation © Alexa Viscius
Features, Interviews, MusicSeptember 10, 2024<September 10, 2024

“That is the job. I want other people to not feel alone”: Lunar Vacation Discuss Their Ruminative Album, ‘Everything Matters, Everything’s Fire’

by Marc Maleri
Don’t Delete My Number - daydreamers
Columns, Music, Today's SongSeptember 9, 2024<September 9, 2024

daydreamers Pair Melodic Ear Candy With Pleading Lyrics on “Don’t Delete My Number”

by Aaron Childree
Dayglow's Sloan Struble © Luke Rogers
Features, Interviews, MusicSeptember 9, 2024<September 21, 2024

“As human as possible”: Dayglow’s Sloan Struble on Making the Most ‘Dayglow’ Dayglow Album of His Career

by Lauren Turner
Devarrow © 2024
Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024

‘A Long & Distant Wave’: Devarrow Embraces Life’s Ebbs and Flows With Sweet, Seductive, Soul-Stirring Folk

by Mitch Mosk
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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