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Columns, Features, Music, Weekly RoundupOctober 21, 2024<October 23, 2024 Atwood Magazine’s Weekly Roundup: October 21, 2024 by Atwood Magazine Staff
Artist to Watch, Columns, Music, Today's SongOctober 21, 2024<October 23, 2024 Interview: South London’s Kemi Ade Goes from Victim, to Villain, to Artist-to-Watch in “Gaslight” by Mitch Mosk
Features, Interviews, MusicOctober 21, 2024<October 21, 2024 “At Times It Seems You’ve Been Known to Tell”: An Interview With Caleb Landry Jones by Aidan Moyer
Debut, Features, Interviews, MusicOctober 21, 2024<October 21, 2024 “I just assumed the people around me knew more”: Genevieve Stokes on Finally Coming into Her Own on Debut Album ‘With a Lightning Strike’ by Alexandra Jhamb Burns
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Concerts, Music, ReviewsOctober 21, 2024<October 21, 2024 Live Review: Twang and Tension Intertwine for Chaparelle by Marissa DeLeon
Columns, Music, Today's SongOctober 19, 2024<October 19, 2024 Daisy the Great Deliver for “All the People” in Dynamic & Dreamy ‘Spectacle: Daisy the Great vs. Tony Visconti’ by Mitch Mosk
Debut, Features, Interviews, MusicOctober 18, 2024<October 25, 2024 Introducing Sydney Quiseng: Echosmith’s Frontwoman on Her New Solo Career by Emily Frances Algar
Debut, Features, Interviews, Music, Track-by-TrackOctober 18, 2024<October 18, 2024 “Psychedelic Family Roadtrip”: Nick Ward Dives into Himself on Debut Album ‘House With the Blue Door’ by Mitch Mosk
Artist to Watch, Features, Interviews, MusicOctober 18, 2024<October 18, 2024 “The mission of my music is to heal with others”: A Conversation With Mon Rovîa by Mitch Mosk
Features, Interviews, MusicOctober 18, 2024<October 18, 2024 “It’s about tenderness and toughness”: The Duality of Audrey Nuna’s Sophomore Album, ‘TRENCH’ by Christine Buckley
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Features, Interviews, Music, Track-by-TrackOctober 17, 2024<October 24, 2024 Liberating, Cinematic, & Seductive: BLK ODYSSY Breaks the Mold on Third Album, ‘1-800 FANTASY’ by Mitch Mosk
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For the Love of Music
For the Love of Music
