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D-Train
Columns, Music, Today's SongJuly 4, 2024<July 4, 2024

Today’s Song: D-Train Resurges With an Ode to Living in the Present on “Time Has Come Today”

by Grace Holtzclaw
Quavo and Lana Del Rey "Tough" © Wyatt Spain Winfrey
Music, Reviews, This Just InJuly 3, 2024<July 3, 2024

This Just In: Lana Del Rey & Quavo Create a Diamond in the Rough With New Song “Tough”

by Marc Maleri
Something Corporate © Connor Lenihan
Features, Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: Andrew McMahon Talks Something Corporate’s Reunion, New Single “Death Grip,” & the Beauty of Letting Go

by Mitch Mosk
Sarah Kinsley "Last Time We Never Meet Again" © Dillon Matthew
Debut, Features, Interviews, MusicJuly 3, 2024<July 3, 2024

“Our lives were only a blimp”: Sarah Kinsley Talks Endings, Beginnings, and Her Cinematic & Celebratory Debut Album

by Mitch Mosk
Muroki 'Timezones' © 2024
Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: Muroki Traverses Genres and ‘Timezones’ in His Cheeky, Sexy, & Soulful Third EP

by Mitch Mosk
Careless - NOANNE
Features, Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: NOANNE Offers a Raw & Introspective Look at the Fragility of the Human Spirit in “Careless”

by Joe Beer
Now That's What I Call Fantastic Cat - Fantastic Cat
Features, Interviews, Music, Track-by-TrackJuly 2, 2024<July 2, 2024

Feature: ‘Now That’s What I Call Fantastic Cat’ Is a Stunning Show of Hope & Humanity from Folk Rock Supergroup Fantastic Cat

by Mitch Mosk
Sleepwalker's self-titled debut EP
Debut, Music, ReviewsJuly 2, 2024<July 2, 2024

Review: Sleepwalker’s Self-Titled EP Is an Emotive & Burning Assortment Not to Be Slept on

by Chloe Robinson
Lana Del Rey’s Ocean Blvd tour has been as untraditional as her music career
Concerts, Music, ReviewsJuly 2, 2024<July 2, 2024

Concert Review: Lana Del Rey’s One Special Night at Fenway Park, Full of Heat, Rain, and Soaring Vocal Performances

by Marc Maleri
Still Woozy 'Loveseat' © Alex Kennedy
Features, Interviews, MusicJuly 2, 2024<September 5, 2025

“Maybe the music is the saving grace”: Still Woozy’s Sven Gamsky Gets Comfortable with ‘Loveseat’

by Nasim Elyasi
Julia Logan "Mirrors" © Olof Grind
Artist to Watch, Columns, Interviews, Music, Today's SongJuly 2, 2024<July 2, 2024

“It’s a story of frustration, struggle, and hope”: Julia Logan Embraces Her Restless Heart in “Mirrors”

by Mitch Mosk
I Just Needed You to Know - Girl Scout
Artist to Watch, Columns, Music, Today's SongJuly 1, 2024<July 1, 2024

Today’s Song: The Raw, Exhilarating Rush of Girl Scout’s Angsty & Feverish “I Just Needed You to Know”

by Mitch Mosk
Noah Henderson © courtesy of the artist
Interviews, MusicJuly 1, 2024<July 1, 2024

Interview: Noah Henderson Is Learning to Find Comfort in His Musical Time Capsules

by Noah Wade
Submarine - The Marías
Features, Music, Reviews, RoundtableJuly 1, 2024<July 1, 2024

Roundtable Discussion: A Review of The Marías’ ‘Submarine’

by Atwood Magazine Staff
Milky Chance "Naked and Alive" © Anthony Molina
Columns, Music, Today's SongJune 30, 2024<June 30, 2024

Today’s Song: Milky Chance Pen a ‘Paean to Joyful Solitude’ With “Naked and Alive”

by Beau Hayhoe
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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