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H3rizon (L to R): Tiara, Gabby, and Bernie © Nadia Razlan
Features, Interviews, MusicJune 26, 2024<June 26, 2024

“It’s only the beginning”: H3rizon on Representation, Culture, & Their Latest Single, “Soul Ties (Don’t Give It Up)”

by Rachel Leong
Stung! - Pond
Music, ReviewsJune 26, 2024<June 26, 2024

Review: Pond’s ‘Stung!’ Reveals Nick Albrook as the Psychedelic Rumpelstiltskin, Though He Can Spin Gold From Thin Air

by Hamish Monk
Dana and Alden © 2024
Features, Interviews, MusicJune 26, 2024<June 26, 2024

Interview: Dana and Alden Renew Traditional Jazz Outlines with ‘Coyote, You’re My Star’

by Miles Campbell
Marlin's Dreaming © Chris Mauger
Music, Music Videos, PremieresJune 25, 2024<June 25, 2024

“Hello My Dear”: Marlin’s Dreaming Craft a Soul-Stirring Meditation on Home & Change, Time & Place

by Mitch Mosk
New Gaze © Aubrey Simpson
Debut, Music, Music Videos, PremieresJune 25, 2024<June 25, 2024

“We’re all we can see”: London’s New Gaze Bask in Infatuation’s Glow on Sun-Kissed, Love-Soaked Debut

by Mitch Mosk
Vampire Weekend © Michael Schmelling
Columns, Music, Today's SongJune 25, 2024<June 25, 2024

Today’s Song: Connecting What Was, to What Is… or Trying to, With Vampire Weekend’s “Connect”

by Frederick Bloy
Murray Matravers of the band hard life, FKA easy life © Isaac Lamb
Debut, Music, Reviews, This Just InJune 25, 2024<May 16, 2025

“It’s a hard life, I can’t lie it’s been a rush”: easy life Return As hard life With Triumphant Single “tears”

by Mitch Mosk
The Japanese House ":)" © Carissa Gallo
Music, Reviews, This Just InJune 24, 2024<June 24, 2024

“I feel happier”: The Japanese House Is All Smiles As of Late :)

by Brianna Corrine
St. Lundi © Tom Knibbs
Columns, Music, Today's SongJune 24, 2024<June 24, 2024

“If you love someone, go ahead and say so”: St. Lundi’s Heartrending Ode to Words Unspoken

by Chloe Robinson
Lizzy McAlpine 'Older' © baeth
Columns, Music, Today's SongJune 23, 2024<June 23, 2024

Today’s Song: Growing, But Not Regretting, With Lizzy McAlpine’s “Older”

by Mariam Bagdady
Nilüfer Yanya © Molly Daniel
Columns, Music, Today's SongJune 22, 2024<June 22, 2024

Raw, Gritty & Hauntingly Expressive: Nilüfer Yanya’s “Method Actor” Offers an Auspicious Insight into Her “Most Intense Album So Far”

by Liv Goodbody
Alycia Lang © Al Binghama
Debut, Features, Interviews, Music, Track-by-TrackJune 21, 2024<June 21, 2024

Speak the Word to Hear the Sound: Alycia Lang Unpacks the Grief, Passion, & Vulnerability at the Heart of Her Debut Album

by Mitch Mosk
Pond 'Stung!' © Michael Tartaglia
Features, Interviews, MusicJune 21, 2024<June 21, 2024

Interview: Nick Allbrook Talks Pond’s 10th LP ‘Stung!’ an Ambitious Album Whose Sonic World Transcends & Reflects Our Own

by Connor Muldowney
Cry Baby © Alec Ilstrup
Artist to Watch, Debut, Features, Interviews, MusicJune 21, 2024<June 24, 2024

“It’s a fun label to lean into”: Brooklyn Boy Band Cry Baby Talk ’90s Nostalgia, NYC’s Music Scene, & Debut EP ‘In Love Without You’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 21, 2024
Columns, Features, Music, Weekly RoundupJune 21, 2024<June 25, 2024

Atwood Magazine’s Weekly Roundup: June 21, 2024

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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