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Debut, Features, Interviews, Music, Track-by-TrackJune 20, 2024<June 20, 2024 Retire the Fences: Brooklyn’s juicer Unleash Waves of Dreamy Indie Rock Wonder in Their Debut Album by Mitch Mosk
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Debut, Features, Music, PremieresJune 20, 2024<June 20, 2024 Album Premiere: Max Blansjaar’s Debut LP ‘False Comforts’ Is a Radical Record of Rebellion, Reckoning, & (Un)Resolve by Mitch Mosk
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Features, Music, ReviewsJune 20, 2024<June 20, 2024 Sentimental Jamboree: A Paul McCartney 82nd Birthday Celebration by Aidan Moyer
Features, Interviews, MusicJune 20, 2024<June 19, 2024 “We take pictures so we remember who we are”: NJ’s Joe P Talks Memory, Photography, & His Impassioned Anthem “Birthday Baby” by Mitch Mosk
Music, Reviews, This Just InJune 19, 2024<June 19, 2024 “I wanna make you my world”: Pale Waves Capture the Excitement of New Love on “Perfume” by Aaron Childree
Columns, Music, Today's SongJune 19, 2024<June 19, 2024 Abe the Kid & drinkabir Team Up to Consider Internal, Global Conflict in “WAR” by Ciaran Short
Music, Reviews, This Just InJune 19, 2024<June 19, 2024 Artist to Watch: Brigitte Calls Me Baby Are Unleashed in Dramatic, Existential Anthem “We Were Never Alive” by Mitch Mosk
Columns, Music, Today's SongJune 19, 2024<June 18, 2024 “Water, running down my face”: Glass Animals’ Aching, All-Consuming Anthem “A Tear in Space (Airlock)” by Mitch Mosk
Features, Music, Reviews, RoundtableJune 18, 2024<June 29, 2024 Charli XCX’s ‘brat,’ But It’s a Roundtable Discussion by Atwood Magazine Staff
Columns, Music, Music & CitiesJune 18, 2024<February 11, 2025 Music & Cities: Coldplay’s ‘Parachutes’ in León, Mexico by David Buyze
For the Love of Music
For the Love of Music
