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Amahla © Justina Stasiunaite
Columns, Music, Today's SongNovember 1, 2024<November 1, 2024

“Please don’t waste my time when rent is due”: Amahla’s Inner Light Shines on “Money”

by Mitch Mosk
BENJAMIN - Jake Isaac
Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 2, 2024

“Soul, Stories, & Sentiments”: Jake Isaac Shines a Light on ‘BENJAMIN,’ His Beautifully Intimate Fourth Album

by Mitch Mosk
Clearwater Swimmers © Preston Ossman
Debut, Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 1, 2024

“Earnest, Intimate, & Resigned”: The Clearwater Swimmers Find Catharsis & Connection on Their Achingly Raw Debut

by Mitch Mosk
Tangerine © Miró Justad
Debut, Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 1, 2024

“I’m still alive and I’m still hungry”: Tangerine’s Expansive, Ethereal, & Bittersweet Debut, ‘You’re Still the Only One’

by Mitch Mosk
Malcolm Todd © Joseph Morrison
Features, Interviews, MusicNovember 1, 2024<November 1, 2024

Interview: Malcolm Todd Talks Tackling Love, New Music, & His Twenties

by Mariam Bagdady
Atwood Magazine's Weekly Roundup | October 31, 2024
Columns, Features, Music, Weekly RoundupOctober 31, 2024<November 1, 2024

Atwood Magazine’s Weekly Roundup: November 1, 2024

by Atwood Magazine Staff
Soda Blonde are (L to R): Dylan Lynch, Faye O’Rourke, Donagh Seaver O’Leary, and Adam O’Regan © 2024
Columns, Music, Today's SongOctober 31, 2024<October 31, 2024

Today’s Song: Soda Blonde’s “Bully” Is an Irresistible Anthem of Angst, Brain Rot, & Inner Turmoil From Dublin’s Finest

by Mitch Mosk
Noise Cans © 2024
Interviews, MusicOctober 31, 2024<October 31, 2024

Interview: Meet Noise Cans, a Guy Rockin’ the Turntables and Donnin’ Gombey Masks

by Josh Weiner
Bermuda Search Party © Stephanie Larsen
Music, Music Videos, PremieresOctober 30, 2024<October 30, 2024

“It’s the fear of drowning that helps us swim”: Boston’s Bermuda Search Party “Shiver” Through Fear With Grace & Strength

by Mitch Mosk
Jake & Abe © Charlie Weinmann
Debut, Features, Interviews, Music, Track-by-TrackOctober 30, 2024<October 30, 2024

Track-by-Track: The Intoxicating Allure of Jake & Abe’s Funky, Sweaty, & Seductive Debut Album, ‘Finally!’

by Mitch Mosk
Fontaines D.C. © Theo Cottle
Features, Interviews, MusicOctober 30, 2024<October 30, 2024

Interview: Fontaines D.C. Drummer Tom Coll Talks Dracula, Dystopian Films, and Irish Trad Music

by Emma Rayder
KEN Mode © Brenna Faris
Music, ReviewsOctober 30, 2024<October 30, 2024

Live Review: KEN Mode Show That After 25 Years, They’re the Band for This Current Era

by Oliver Crook
Devarrow © Bells Larsen
Features, Interviews, Music, Track-by-TrackOctober 29, 2024<November 7, 2024

Track-by-Track: Finding Joy in Devarrow’s Fun, Carefree, & Cathartic Fourth Album, ‘Heart Shaped Rock’

by Mitch Mosk
Skinny Dyck © Heather Saitz
Features, Interviews, Music, Track-by-TrackOctober 29, 2024<October 29, 2024

“Country, but not country”: Inside Skinny Dyck’s Gentle, Dreamy, and ‘Easygoing’ Sophomore Album

by Mitch Mosk
Inhaler © Lewis Evans
Concerts, Music, ReviewsOctober 28, 2024<October 28, 2024

Live Review: Inhaler Celebrate the Old and Usher in the New at NYC’s Pier 17

by Noah Wade
Posts pagination
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Brand New

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley!
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours”
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life

:: discover something new ::

Recent Posts

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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