Features, Lists, MusicSeptember 30, 2024<October 3, 2024 The Best Albums of 2024 (So Far) by Atwood Magazine Staff
Features, Interviews, MusicAugust 19, 2024<August 19, 2024 “I’m setting free”: Novo Amor’s Ali Lacey Finds Strength in Fragility on ‘Collapse List,’ an Album of Upheaval & Rediscovery by Mitch Mosk
Features, Lists, MusicJuly 25, 2024<July 31, 2024 The Best Songs of 2024 (So Far) by Atwood Magazine Staff
MusicNovember 9, 2020<November 15, 2020 Feature: Novo Amor Dives into the Shimmering Depths of Breathtaking LP, ‘Cannot Be, Whatsoever’ by Mitch Mosk
Columns, Editor's Picks, MusicApril 17, 2019<April 30, 2019 Editor’s Picks: Australia, April 15, 2019 by Mitch Mosk
Columns, Music, Weekly RoundupNovember 3, 2017<December 11, 2017 Atwood Magazine’s Weekly Roundup: November 3, 2017 by Atwood Magazine Staff
Columns, Features, Music, Music Videos, Reviews, Today's SongApril 25, 2017<April 27, 2017 Review: The Heartache & Beauty of Novo Amor’s Intimate “Carry You” by Mitch Mosk
Columns, Music, Today's SongFebruary 4, 2016<February 4, 2016 Today’s Song: The Dramatic Distance of FRANKi’s “Tides” by Mitch Mosk
NewsOctober 23, 2015<October 23, 2015 Atwood In Focus: October 23rd New Music by Atwood Magazine Staff
Columns, Music, Today's SongSeptember 1, 2015<September 1, 2015 Today’s Song: The Warm Glow of Dustin Tebbutt’s “Home” by Mitch Mosk
For the Love of Music
For the Love of Music
