Features, Interviews, MusicApril 25, 2025<April 26, 2025 Interview: Samia’s ‘Bloodless’ Is a Return to Form and Reclamation of Self by Nasim Elyasi
Columns, Editor's Picks, Features, MusicApril 18, 2025<April 28, 2025 Editor’s Picks 118: Bon Iver, Japanese Breakfast, Samia, Michael Marcagi, spill tab, & Djo! by Mitch Mosk
Columns, Music, Today's SongJanuary 27, 2025<January 27, 2025 Femininity & Bloodless Reawakening: Samia Unveils the Haunting “Bovine Excision” in the Wake of a New Album by Kaiana Lee
Music, Reviews, This Just InJanuary 21, 2025<January 21, 2025 This Just In: Samia Treads Harder Ground With Piercing New Song, “Bovine Excision” by Rachel Leong
Features, Lists, MusicJanuary 3, 2024<January 4, 2024 Atwood Magazine’s 2023 Albums of the Year by Atwood Magazine Staff
Columns, Features, Music, Weekly RoundupOctober 13, 2023<October 16, 2023 Atwood Magazine’s Weekly Roundup: October 13, 2023 by Atwood Magazine Staff
Features, Interviews, MusicJanuary 25, 2023<January 27, 2023 Interview: Samia Is the Moment with Highly Anticipated Sophomore Album ‘Honey’ by Coco Rich
Columns, Music, Today's SongOctober 26, 2022<October 25, 2022 Today’s Song: Samia Returns on Angel Wings with “Kill Her Freak Out” by Nasim Elyasi
Features, Lists, MusicDecember 31, 2021<February 7, 2022 Atwood Magazine’s 2021 Songs of the Year by Atwood Magazine Staff
Debut, Features, Interviews, MusicDecember 17, 2020<December 17, 2020 Interview: Folk Rock Up-And-Comer Samia on Her Stunning & Intimate Debut ‘The Baby’ & ‘The Baby Reimagined’ by Lowndes Commander
For the Love of Music
For the Love of Music
