Music, Our Take, ReviewsAugust 17, 2016<August 17, 2016 Our Take: On “Hard Love,” NEEDTOBREATHE Deliver a Powerful Message by Renae Weaver
Music, Our Take, ReviewsJuly 22, 2016<July 22, 2016 Our Take: LANY “kinda” Wants to Be the Soundtrack of Your Summer by Atwood Magazine Staff
Music, Our Take, ReviewsJuly 20, 2016<July 19, 2016 Our Take: On Blood // Sugar // Secs // Traffic, The Gotobeds Balance Stupid Humor and Smart Songcraft by Ross Finney
Features, Music, Our Take, ReviewsJuly 14, 2016<July 14, 2016 Our Take: Less Is More in Marian Hill’s “ACT ONE” by Ethan Germann
Music, Our Take, ReviewsJuly 5, 2016<July 5, 2016 Our Take: Leapling’s “Suspended Animation” Is Infectious Power-Pop with a Serious Side by Ross Finney
Debut, Music, Our Take, ReviewsJune 21, 2016<March 9, 2017 Our Take: Carved in Rock (n’ Roll), The Shelters’ Debut Album by Lindsay Call
Features, Music, Our Take, ReviewsJune 14, 2016<May 9, 2017 The 1975’s I Like It When You Sleep… A Track-by-Track Review by Natalie Harmsen
Music, Our Take, ReviewsJune 1, 2016<June 1, 2016 Our Take: Car Seat Headrest’s ‘Teens of Denial’ is Anthemic Indie Rock at Its Best by Ross Finney
8.3 Music, Our Take, ReviewsMay 31, 2016<September 5, 2023 Our Take: Ariana Grande Pulls Off a Hat Trick with ‘Dangerous Woman’ by Josh Weiner
Features, Music, Our Take, ReviewsMay 25, 2016<May 25, 2016 Our Take: Wild Belle’s “Dreamland” Shows the Importance of Good Genes by Julia Naman
Features, Music, Our Take, ReviewsMay 20, 2016<January 25, 2019 Our Take: The Dissonant Beauty of James Blake’s “The Colour in Anything” by Nadia Hansen
Editorials, Features, Music, Our Take, ReviewsMay 19, 2016<May 20, 2016 Are You Ready For Your Miracle? The Inimitable Positivity of Chance the Rapper by Jon Hecht
Features, Music, Our Take, ReviewsMay 13, 2016<May 13, 2016 Our Take: White Lung’s Paradise is a Visceral, Cerebral Punk Rock Record by Ross Finney
Debut, Features, Music, Our Take, ReviewsMay 5, 2016<May 13, 2016 Our Take: The Controlled Chaos of Vista Kicks by Mitch Mosk
Editorials, Features, Music, ReviewsMay 2, 2016<August 15, 2022 Review: Lemonade and the Unstoppable Force That Is Beyoncé by Jon Hecht