Music, ReviewsMay 1, 2024<May 1, 2024 Donna Lewis Tells a Ten-Track Story of Overcoming Uncertainty on ‘Rooms With a View’ by Grace Holtzclaw
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024 “The golden days will come”: Joshua Hyslop’s Inner Light Shines on ‘Evergold,’ a Warm & Wistful Folk Reverie by Mitch Mosk
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024 “Dare turn and face me”: Melbourne’s Mia Dyson Wears Her ‘Tender Heart’ on Her Sleeve in a Radiant Record of Life, Love, & Human Connection by Mitch Mosk
Features, Interviews, Music, Track-by-TrackApril 30, 2024<May 15, 2024 “You sink or swim or you learn to fly”: Bridget Kearney Rises and Shines in ‘Comeback Kid,’ a Record of Resilience, Rebirth, & Reconnection by Mitch Mosk
Debut, Music, ReviewsApril 30, 2024<April 30, 2024 Review: Riley Mulherkar’s Creative Chops Are on Full Display on Impressive Solo Debut ‘Riley’ by Jake Fewx
Features, Interviews, MusicApril 30, 2024<April 30, 2024 “We are ultimately pioneers of our own sound”: Oxford Legends Ride Discuss Their Adventurous 7th Album ‘Interplay’ by Kevin Cost
Features, Interviews, MusicApril 29, 2024<April 29, 2024 “I didn’t want to be the main girl or the hero”: Pomme Takes Time to Watch the Seasons Bloom in Modern Opera, ‘Saisons’ by Olivia Martinez
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2024<April 26, 2024 “Laughing at the life we’re wasting”: Argentine Indie Sleaze Duo Pacifica Are Unleashed on Debut ‘Freak Scene’ by Mitch Mosk
Features, Interviews, MusicApril 26, 2024<April 26, 2024 They’re “happy just being here”: Good Morning’s ‘Good Morning Seven’ Finds Music in Life’s Mundanity by Sofia Sar
Interviews, MusicApril 26, 2024<April 26, 2024 “There’s something both awful and liberating about it”: NYC’s BAILEN Are Crying on the Subway, but “You Would Never Know” by Mitch Mosk
Features, Interviews, MusicApril 25, 2024<April 25, 2024 Interview: Ocean Alley Are Touching Back Down in Your City by Blake McMillan
Features, Interviews, MusicApril 25, 2024<January 28, 2026 “Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’ by Mitch Mosk
Features, Music, Reviews, RoundtableApril 25, 2024<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’ by Atwood Magazine Staff
Features, Interviews, Music, Premieres, Track-by-TrackApril 24, 2024<April 24, 2024 Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest by Mitch Mosk
8.7 Music, Our Take, ReviewsApril 24, 2024<April 24, 2024 “We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’ by Christine Buckley
For the Love of Music
For the Love of Music
