8.7 Music, Our Take, ReviewsApril 24, 2024<April 24, 2024 “We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’ by Christine Buckley
Debut, Features, Interviews, Music, Track-by-TrackApril 23, 2024<April 23, 2024 “Yn Byw a Bod”: Welsh Band WRKHOUSE Come Alive on Debut EP ‘Out of the Blue,’ a Dreamy, Exhilarating Indie Rock Reverie by Mitch Mosk
Features, Interviews, Music, Track-by-TrackApril 22, 2024<April 22, 2024 ‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming by Lauren Turner
Features, Music, Reviews, RoundtableApril 22, 2024<June 29, 2024 Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’ by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackApril 19, 2024<April 19, 2024 “I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackApril 19, 2024<April 19, 2024 “Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie by Mitch Mosk
Interviews, MusicApril 18, 2024<April 20, 2024 Interview: Jon Sandler & Luke Moellman Are in a State of Existence That’s Great Good Fine Ok With Them by Blake McMillan
Debut, Features, Interviews, Music, Music VideosApril 18, 2024<April 18, 2024 ‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackApril 18, 2024<April 18, 2024 Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackApril 16, 2024<April 16, 2024 ‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP by Mitch Mosk
Features, Interviews, Music, Track-by-TrackApril 16, 2024<April 16, 2024 “I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’ by Mitch Mosk
Features, Music, Reviews, RoundtableApril 15, 2024<June 29, 2024 Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’ by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackApril 12, 2024<April 12, 2024 “We could be a break in the chain”: Humbird’s ‘Right On’ Is an Honest, Playful, & Weathered Midwestern Reverie by Mitch Mosk
Features, Interviews, MusicApril 12, 2024<April 12, 2024 Interview: Hannah Frances on Grief, Sheep, & Bending Genres With Her New Album ‘Keeper of the Shepherd’ by Guest Writer
Features, Interviews, Music, Track-by-TrackApril 12, 2024<April 14, 2024 “I want to try everything all at once”: Alice Merton Leans into Change on ‘Heron,’ a Radiant Record of Inner Transformation by Mitch Mosk
For the Love of Music
For the Love of Music
