Debut, Features, Interviews, Music, Track-by-TrackAugust 3, 2022<August 4, 2022 BREAK(ING) THE CURSE: Arlie’s Dreamy, Dramatic, Dynamic & Vulnerable Debut Album by Mitch Mosk
Features, Interviews, MusicAugust 3, 2022<September 29, 2022 “No One’s Holding You Back Now”: Madison Cunningham Surrenders to the Process, Welcoming Discomfort with Open Arms by Sophie Severs
Features, Interviews, MusicAugust 2, 2022<August 2, 2022 Right Behind You: A Conversation with Portland’s Resident Spoon Benders by Ben Niesen
7.6 Music, Our Take, ReviewsJuly 25, 2022<July 12, 2022 Our Take: Lupe Fiasco Goes Jazzy, Stays Provocative on ‘Drill Music in Zion’ by Josh Weiner
Music, ReviewsJuly 21, 2022<July 13, 2022 Review: Wasia Project’s Debut EP ‘how can i pretend?’ Is Your Next Heartstopper by Madeleine Eggen
Debut, Music, Reviews, Track-by-TrackJuly 20, 2022<July 12, 2022 “Kaleidoscope of Catharsis”: A Track-by-Track Review of Lia Rye’s ‘Fever Dream’ EP by Joe Beer
Debut, Features, Interviews, MusicJuly 14, 2022<July 13, 2022 “TENNIS, But Make It Pop!”: Josie Dunne Serves Up Her Stunning Debut Album by Mitch Mosk
Features, Interviews, MusicJuly 13, 2022<July 13, 2022 “We’re just trying to be a kitchen sink band”: Stars’ Torquil Campbell Discusses Ghosts, Songwriting, & New Album ‘From Capelton Hill’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJuly 12, 2022<July 12, 2022 “I didn’t expect it to be, but I think it is an album for introverts”: Inside French for Rabbits’ 3rd LP, ‘The Overflow’ by Mitch Mosk
Features, Music, Track-by-TrackJuly 12, 2022<July 12, 2022 “A Dream, But Real”: Goon’s Hazy & Hauntingly Beautiful Sophomore Album, ‘Hour of Green Evening’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackJuly 12, 2022<July 12, 2022 Coastal, Winter, & Driving: Riley Pearce’s Breathtaking Debut Album ‘The Water & The Rough’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJuly 11, 2022<July 11, 2022 “An honest, bittersweet, collage of all the music I ever loved”: Leona Naess Shares Her Radiant New Album, ‘Brood X’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJuly 11, 2022<July 11, 2022 “Unapologetic, Open, & Deliberate”: King Youngblood Revive ’90s Alt-Rock on Hard-Hitting Debut Album, ‘BIG THANK’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJuly 8, 2022<July 8, 2022 ‘I Was Just About to Leave’: The Unfiltered Intimacy & Vibey Electro-Soul of ELIS NOA’s Sophomore Album by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackJuly 8, 2022<April 24, 2023 ‘Stay Proud of Me’: NoSo’s Wondrous, Wistful & Reflective Coming-of-Age Debut Album by Mitch Mosk
For the Love of Music
For the Love of Music
