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Features, Music, Reviews, RoundtableApril 2, 2025<April 2, 2025 Roundtable Discussion: A Review of Sam Fender’s ‘People Watching’ by Atwood Magazine Staff
Features, Interviews, MusicApril 2, 2025<April 2, 2025 “A Recording Is a Relic; a Show Is Alive”: My Morning Jacket’s Carl Broemel on Music as a Way of Life, the Spirit of Performance, & the Making of ‘is’ by Mitch Mosk
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Debut, Features, Interviews, MusicApril 1, 2025<April 1, 2025 Interview: Maya Delilah Embraces Nostalgia & Creative Freedom in Her Genre-Warping Debut Album, ‘The Long Way Round’ by Brianna Corrine
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Features, Interviews, Music, Track-by-TrackMarch 27, 2025<March 27, 2025 “Therapy Trauma Tunes”: Medium Build’s Nick Carpenter Talks Returning Home, Unpacking His Past, & Turning Scars into Songs with ‘Marietta’ by Mitch Mosk
Interviews, MusicMarch 27, 2025<March 28, 2025 Interview: Navigating Tunnel’s Indie Rock Noise by Marissa DeLeon
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Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025 “It’s us making songs we needed to make”: Sarah and the Sundays Embrace Raw Emotion & Life’s Beautiful Mess on ‘Like a Damn Dog’ by Mitch Mosk
Features, Interviews, MusicMarch 25, 2025<March 25, 2025 Interview: Jill Andrews Confronts the Darkness Head-On With ‘Big Feelings’ by Emily Frances Algar
For the Love of Music
For the Love of Music
