Interviews, MusicApril 5, 2024<April 6, 2024 “I just feel a bit more free in what I’m doing”: The Sonically Charged Addiction of Lucy Kruger & The Lost Boys by Marissa DeLeon
Music, ReviewsApril 5, 2024<April 5, 2024 “To the ocean of your love, I am a river”: Adrianne Lenker Has Crafted a ‘Bright Future’ with Her Latest Album by Madeleine Eggen
Features, Interviews, MusicApril 5, 2024<April 6, 2024 Interview: Declan McKenna on the Need for Authenticity in Music and His New Album ‘What Happened to the Beach?’ by Brianna Corrine
Columns, Music, Today's SongApril 5, 2024<April 5, 2024 Today’s Song: Maybird’s “Carry Me Away” Sweeps Us Up into Sparkling Psych-Pop Bliss by Christine Buckley
Debut, Features, Interviews, MusicApril 4, 2024<April 4, 2024 “An Exploration of Trauma”: LA Indie Rock Band wilt on Finding Clarity, Escaping Reality, & Honing Their Sound on Self-Titled Debut EP by Audrey Connelly
Columns, Music, Today's SongApril 4, 2024<April 4, 2024 “It’s a reflection on my life, my truth, my pain”: Dwelling in Emily Wurramara’s “Midnight Blues” by Mitch Mosk
Columns, Music, Reviews, This Just In, Today's SongApril 4, 2024<April 4, 2024 “Knowing you exist takes a load off me”: Basking in Medium Build’s Beautiful Love Song by Mitch Mosk
Music, Reviews, This Just InApril 4, 2024<April 4, 2024 “Point the sun right into my flesh”: Merce Lemon’s “Will You Do Me a Kindness” Is a Cathartic Collage of Life’s Little Moments by Mitch Mosk
Interviews, MusicApril 4, 2024<April 4, 2024 “If you want to get to know me, really listen to the music”: Getting a Little ‘Overstimulated’ With Miranda Joan by Marissa DeLeon
Features, Music, ReviewsApril 4, 2024<April 4, 2024 Roundtable Discussion: A Review of Beyoncé’s ‘Cowboy Carter’ by Atwood Magazine Staff
Columns, Music, Today's SongApril 3, 2024<April 3, 2024 Today’s Song: With “Too Sweet,” Hozier Will Skip Dessert, Thank You! by Desire' Jackson-Crosby
Features, Interviews, Music, Track-by-TrackApril 3, 2024<April 7, 2024 “What’s a little pain without sunshine?”: John Vincent III Spills His Heart & Soul in Sophomore Album ‘Songs for the Canyon’ by Mitch Mosk
Features, Interviews, MusicApril 3, 2024<April 3, 2024 “Some questions have an answer, others just have a sound”: Beatenberg’s Matt Field on ‘The Great Fire of Beatenberg’ and Making Art During Times of Crisis by Kate Millar
8.3 Music, Our Take, ReviewsApril 3, 2024<April 3, 2024 Our Take: Little Simz Proves She Never Drops Anything “Little” With Thrilling ‘Drop 7’ EP by Connor Muldowney
Features, Interviews, Music, Track-by-TrackApril 3, 2024<April 3, 2024 “Violent, But Beautiful”: Brimheim Is Unfiltered & Unleashed on ‘RATKING,’ a Bold, Breathtaking Record of Raw Humanity by Mitch Mosk