Debut, Features, Interviews, MusicMay 3, 2019<May 3, 2019 Feature: Getting to the Truth in Kevin Garrett’s ‘HOAX’ by Luke Pettican
Debut, Music, ReviewsApril 29, 2019<April 29, 2019 Review: A Lesson in Self-Love, by Lizzo’s ‘Cuz I Love You’ by Francesca Rose
Debut, Features, Music, ReviewsApril 12, 2019<April 12, 2019 Roundtable Discussion: A Review of Billie Eilish’s ‘When We All Fall Asleep, Where Do We Go?’ by Atwood Magazine Staff
Debut, Music, ReviewsApril 5, 2019<April 8, 2019 Review: The Prescriptions’ Debut ‘Hollywood Gold’ Is a Raw Dose of the Good Stuff by Mitch Mosk
Debut, Features, Interviews, MusicApril 5, 2019<April 5, 2019 Interview: Don’t Bank on the Funeral, Bank on Matt Maeson by Audrey Steeves
Debut, Features, Interviews, MusicMarch 29, 2019<April 30, 2019 Feature: Sigrid Lands Her Sensational ‘Sucker Punch’ by Luke Pettican
Debut, Music, ReviewsMarch 22, 2019<March 22, 2019 Review: Kevin Garrett Enchants with Memorable & Affecting Debut ‘Hoax’ by Luke Pettican
Debut, Music, Our Take, ReviewsMarch 21, 2019<March 21, 2019 Our Take: Stella Donnelly Channels Ferocity & Charm with Debut ‘Beware of the Dogs’ by Adrian Vargas
Debut, Features, Interviews, MusicMarch 21, 2019<March 22, 2019 Interview: Wallows Leave Behind Their Innocence without Losing Themselves by Shayna Chabrow
Debut, Music, Premieres, ReviewsMarch 21, 2019<March 22, 2019 Album Premiere: Ghost Light Debut in a Sonic Frenzy on ‘Best Kept Secrets’ by Ben Beamish
Debut, Features, Music, Our TakeMarch 8, 2019<March 8, 2019 Our Take: Sigrid Delivers a Knockout Debut with ‘Sucker Punch’ by Luke Pettican
Debut, Music, ReviewsFebruary 25, 2019<February 25, 2019 Review: J.S. Ondara Understands America Way Better Than We Do on Debut ‘Tales of America’ by Oliver Crook
Debut, Music, Reviews, Track-by-TrackFebruary 16, 2019<February 16, 2019 Plested’s First & Foremost: A Track-By-Track Review by Luke Pettican
Features, Interviews, MusicFebruary 15, 2019<March 1, 2019 Eclectic, Groovy, Retro, and Current: A Conversation with Parcels by Mitch Mosk
Debut, Music, ReviewsFebruary 13, 2019<February 13, 2019 Review: Dearheart’s ‘Too Late; Doesn’t Matter’ Displays the Ambition of Emo’s Next Wave by James Crowley