Columns, Features, Music, Playlists, Weekly RoundupJune 8, 2018<June 8, 2018 Atwood Magazine’s Weekly Roundup: June 8, 2018 by Atwood Magazine Staff
Interviews, Music, Reviews, This Just InJune 8, 2018<July 6, 2018 Interview: CAPPA Releases “Tension” with a Fun, Feelgood Embrace by Mitch Mosk
Music, PremieresJune 8, 2018<June 8, 2018 Premiere: The Rareflowers Bloom in Catchy “New Generation” by Mitch Mosk
Features, Interviews, Music, ReviewsJune 8, 2018<June 8, 2018 Feature: Stop Thinking & Do with Brett Dennen’s Inspiring “Already Gone” by Mitch Mosk
Music, PremieresJune 7, 2018<June 8, 2018 Premiere: Burning House’s “Peach” Is a Fuzzy Coming-of-Age Anthem by Mitch Mosk
Features, Festival, Music, News, PreviewsJune 7, 2018<June 12, 2018 (Y)Our Music Guide to Northside Festival 2018 by Atwood Magazine Staff
Debut, Interviews, MusicJune 7, 2018<June 7, 2018 Interview with Sloppy Jane: The Excitement of Exhaustion and Strolling Through “Kitchen Store” by Carolyn Fasone
Music, PremieresJune 7, 2018<June 7, 2018 Premiere: RXC Takes Us “Higher” with Dark Pop Turbulence by Mitch Mosk
Debut, Interviews, Music, PremieresJune 7, 2018<June 7, 2018 Feature: Growing the Dream Pop Genre with Tyne’s Debut EP ‘111’ by Kelly Wynne
Music, Music Videos, PremieresJune 6, 2018<June 12, 2018 Premiere: Embracing Life with Caspar Leopard’s Powerful “Is This Real?” by Mitch Mosk
Music, Music Videos, PremieresJune 6, 2018<June 6, 2018 Premiere: The Raw Ache of My Brothers And I’s “When You’re Ready” by Mitch Mosk
Features, Music, Reviews, RoundtableJune 6, 2018<June 29, 2024 Roundtable Discussion: A Review of Father John Misty’s ‘God’s Favorite Customer’ by Atwood Magazine Staff
Features, Interviews, MusicJune 5, 2018<June 5, 2018 Howlin’ for Higher Ground: A Conversation with Naomi Wild by Alex Killian
Music, Music Videos, PremieresJune 5, 2018<June 5, 2018 Premiere: Roanoke’s Intimate “Silent Films” Captures Love’s Fragility by Mitch Mosk
Columns, Music, Today's SongJune 5, 2018<June 5, 2018 Today’s Song: A Gorgeous Tale of Growth with Maggie Rogers’ “Fallingwater” by Adrian Vargas