Music, PremieresOctober 22, 2019<January 13, 2020 Premiere: The Phenomenal Beauty of Victoria Victoria’s Enchantingly Vulnerable ‘When To Talk, When To Pray’ EP by Mitch Mosk
Interviews, MusicOctober 22, 2019<October 22, 2019 Heavy Lungs’ New EP ‘Measure’ Shows They’re Ready to be Bristol’s Next Top Punk Band by Oliver Crook
Editor's Picks, Features, MusicOctober 18, 2019<December 5, 2019 Editor’s Picks: October 18, 2019 by Mitch Mosk
Features, Music, ReviewsOctober 16, 2019<October 16, 2019 Review: Minor Pieces Weave Intimate Avant-Folk Beauty into Stirring Debut Album ‘The Heavy Steps of Dreaming’ by Mitch Mosk
Debut, Music, ReviewsOctober 15, 2019<October 15, 2019 Review: Terrell Hines’ Debut EP ‘St. Mark Rd.’ Is an Ingeniously Inventive Delight by Luke Pettican
Interviews, Music, ReviewsOctober 14, 2019<July 1, 2020 Leah Capelle Dives into the Aching Pop Polish of “know me better” by Mitch Mosk
Features, Interviews, Music, ReviewsOctober 14, 2019<October 11, 2019 BATS’ ‘Alter Nature’ Is the Mind-Opening Record the World Needs Right Now by Oliver Crook
Features, Interviews, MusicOctober 7, 2019<October 7, 2019 Rekindling the Flame: Meg & Dia Make Their Comeback with ‘happysad’ by Caitlin Ison
Debut, Music, ReviewsOctober 4, 2019<October 4, 2019 Review: Blood Harmony is FINNEAS’ Immaculate First Step into His Cinematic, Beautiful World by Nicole Almeida
Debut, Features, Interviews, MusicOctober 4, 2019<September 24, 2021 More Than a Little Love: Tom Speight Dives into His Stunning Debut Album ‘Collide’ by Mitch Mosk
Music, ReviewsOctober 4, 2019<October 4, 2019 Review: The Menzingers Take on Existential Worries in ‘Hello Exile’ by James Crowley
Music, ReviewsOctober 3, 2019<October 3, 2019 Fragility, Nuance, & Grace: A Review of Paper Beat Scissors’ Dazzling ‘Parallel Line’ by Mitch Mosk
Music, ReviewsOctober 3, 2019<October 3, 2019 Review: A Common Thread of Folk & Soul Make KTG’s ‘Searching for Magpies’ by Kelly McCafferty Dorogy
Features, Music, PremieresOctober 3, 2019<October 3, 2019 Album Premiere: Anna Vogelzang’s Delicate, Personal ‘Beacon’ by Mariel Fechik
Debut, Features, Interviews, MusicOctober 2, 2019<December 5, 2019 Feature: Emily Osment Soars as Bluebiird in Stirring Musical Debut by Mitch Mosk
For the Love of Music
For the Love of Music
