Columns, Features, Music, Weekly RoundupJune 26, 2020<August 23, 2020 Atwood Magazine’s Weekly Roundup: June 26, 2020 by Atwood Magazine Staff
Debut, Music, Reviews, Track-by-TrackJune 26, 2020<June 26, 2020 Track-by-Track: Ontario’s BURS Debut with Depth & Vulnerability in Stirring EP ‘Through Windows’ by Mitch Mosk
Features, Music, PlaylistsJune 26, 2020<August 23, 2020 Pride Playlist 2020: A Celebration of Pride with Shamir by Atwood Magazine Staff
Music, This Just InJune 26, 2020<June 26, 2020 This Just In: “When I’m All Alone” Celebrates PHANGS in the Glory of Solitude by Maggie McHale
Interviews, Music, ReviewsJune 26, 2020<June 26, 2020 Familial Fuel for a Timeless Album: An Interview with Billy Lockett by Adrian Vargas
Debut, Music, ReviewsJune 26, 2020<June 26, 2020 Artist to Watch: Charleston’s Beach Tiger Shine Bright on Spirited Debut Album ‘Nostalgia Hot’ by Mitch Mosk
Columns, Music, Today's SongJune 26, 2020<June 25, 2020 Today’s Song: Fever Dolls’ Epic “All The Best Debts” Is a Confessional Underdog Embrace by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackJune 26, 2020<July 1, 2020 Feature: Ego Ella May Pours Her Soul Out on Debut Album ‘Honey for Wounds’ by Mitch Mosk
Music, PremieresJune 26, 2020<June 26, 2020 Premiere: Amsterdam’s CUT_ Captivate with Catchy & Tender “Cry” by Mitch Mosk