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Adrian Vargas

Adrian Vargas

Adrian is a 2017 Florida State University graduate where he focused on editing, writing, and media. He is now living in Brooklyn, New York. Adrian works as a digital marketer, but music and all that goes into it continues to be a passion of his. You may find Adrian wandering around the city aimlessly (more than likely lost) or at home watching anime, movies, or reading anything sci-fi related. He can also make a dang good plate of shrimp scampi.

Debut, Music, ReviewsAugust 23, 2021<August 24, 2021

Review: A Richly Textured Debut of Love & Longing with Morly’s ‘‘Til I Start Speaking’

Music, ReviewsJune 11, 2021<June 11, 2021

Review: A Worldly & Rich Sonic Experience on Evan Cheadle’s ‘Fault Line Serenade’

Interviews, MusicJune 8, 2021<June 8, 2021

The Pains & Triumphs of Sincerity: A Conversation with Babehoven

Music, Our Take, ReviewsMay 28, 2021<May 28, 2021

Review: Blood Cultures Embark on Their Most Personal Journey With ‘LUNO’

Columns, Music, Today's SongMay 26, 2021<May 26, 2021

Today’s Song: Incomparable Grooves & Hypnotic Melodies on Luna Luna’s “Golden”

Columns, Music, Today's SongMay 21, 2021<May 21, 2021

Today’s Song: A Glamorous Display of Love & Lust on Iverson’s “How Does It Make U Feel”

8.3
Music, Our Take, ReviewsMay 14, 2021<May 14, 2021

Our Take: A Sonic and Personal Evolution on Current Joy’s ‘Voyager’

Interviews, MusicMay 4, 2021<May 4, 2021

The Balance of Solitude & Loneliness: A Conversation with Luwten

Artist to Watch, Features, Music, ReviewsApril 29, 2021<February 24, 2025

“I Have Something to Live For”: A Conversation With Glüme

Music, Reviews, Track-by-TrackApril 16, 2021<April 16, 2021

The Journey’s End: A Track-By-Track Review of Son Lux’s ‘Tomorrows III’

Features, Interviews, MusicApril 15, 2021<April 22, 2021

The Unpredictable Creations of Improvisation: A Conversation with Son Lux

Interviews, Music, ReviewsApril 9, 2021<April 9, 2021

The Power of Vulnerability: A Conversation With Marie Naffah

Columns, Music, Today's SongApril 9, 2021<April 9, 2021

Today’s Song: A Contrast of Cheer & Ignorance on Blood Cultures’ “Set It On Fire”

Features, Interviews, Music, Women's History MonthMarch 31, 2021<March 31, 2021

Feature: An Exploration into Adult Swim’s Magnum ‘Opus’

Music, ReviewsMarch 29, 2021<March 29, 2021

Review: Oxford Drama Creates Much-Needed Warmth on ‘What’s the Deal with Time?’

Posts pagination
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Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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