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Chloe Robinson

Chloe Robinson

Interviews, MusicApril 16, 2020<April 16, 2020

Interview: Raye Zaragoza Breaks Gender Barriers with Single “Fight Like a Girl”

Interviews, MusicApril 13, 2020<April 13, 2020

Interview: Transatlantic Trio Raynes on Folk Music, Philosophical Ideals, and Isolation

Vôx Vé © 2020
Interviews, MusicApril 7, 2020<April 6, 2020

Interview: Otherworldly Pop Artist Vôx Vé on Managing Mental Health & Her Debut EP ‘Dream Theory 1’

Debut, Interviews, MusicMarch 31, 2020<March 31, 2020

Transporting to a Wistful World: Polartropica Dives into Debut Album ‘Dreams Come True’

Ella M. © 2020
Interviews, MusicMarch 17, 2020<March 17, 2020

Interview: Ella M. Attempts to Wash Away the Negativity with “Take Yourself Home”

A Brighter Day - Grant Earl Lavalley
Music, PremieresFebruary 27, 2020<February 27, 2020

Album Premiere: Grant Earl LaValley’s ‘A Brighter Day’ Is a Haunting Celebration of Psychedelic Sound

Georgi Kay © Morgan Demeter
Features, Interviews, MusicFebruary 25, 2020<March 2, 2025

Interview: Georgi Kay Stays Optimistic in a Time of “Scary People” with New EP ‘Reimagined’

Karima Francis © Joseph Calhoun
Interviews, MusicFebruary 21, 2020<February 21, 2020

Interview: Karima Francis Brilliantly Conveys Just How Rough It Is on the “Shelf Life”

Features, Interviews, MusicFebruary 3, 2020<February 3, 2020

Interview: American Authors Are Using Their “Microphone” to Tell You Something You Need to Hear

Tall Heights
Features, Interviews, MusicDecember 3, 2019<December 2, 2019

Interview: Keeping It Light with Dream Folk Duo Tall Heights

Micky James © Bamby
Columns, Music, Today's SongNovember 14, 2019<November 14, 2019

Today’s Song: Micky James Unravels the Drama of Unhealthy Relationships in “Crybaby”

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Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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