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Danny Vagnoni

Danny Vagnoni

Danny Vagnoni is a writer specializing in music & culture writing, podcasting, and editorial work. Danny is currently working with Grammy winner Denny Somach (Ah Via Musicom, Eric Johnson) on an upcoming classic rock podcast and multimedia endeavour. He is based in Philadelphia, PA, and loves the city's resurgent culture. [Aside from all that, Danny has approximately five million instruments, two of which he can play competently, brews beer for kicks, co-hosts a podcast, and has a ceaseless drive to create.]

Music to Burnout To
Editorials, MusicApril 1, 2025<April 1, 2025

Music to Burnout To

The Libertines © Ed Cooke
Features, Interviews, MusicMay 3, 2024<May 2, 2024

“This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret

Poppy © Le3ay
Features, Interviews, MusicOctober 25, 2023<October 28, 2023

When You Zig, I Zag: A Conversation with Poppy

YOASOBI © 2023
Features, Interviews, MusicAugust 4, 2023<August 4, 2023

“Turning novels into music:” A Storied Conversation With YOASOBI

Danny Vagnoni © 2023
Columns, Meet Our WritersJuly 29, 2023<July 29, 2023

Meet Our Writers: Philadelphia’s Danny Vagnoni

Formula of Love - TWICE 8
Music, Our Take, ReviewsDecember 14, 2021<December 14, 2021

‘Formula of Love: O+T=<3’ Presents TWICE’s Most Progressive Release Yet

TWICE "The Feels"
Columns, Music, Today's SongOctober 18, 2021<October 18, 2021

Today’s Song: TWICE, Once More From the Beginning with “The Feels,” Their First English Single

HEALTH © 2021
Columns, Music, Today's SongFebruary 21, 2021<February 21, 2021

Today’s Song: HEALTH Contend with Hopelessness & Despair in Dystopian “FEEL NOTHING”

Psychedelic Porn Crumpets © Tristan McKenzie
Features, Interviews, MusicFebruary 9, 2021<July 4, 2024

‘SHYGA! The Sunlight Mound’ & Post-Tourmatic Stress Disorder: An Interview with Psychedelic Porn Crumpets

Mother's Cake © Manu Chó
Columns, Music, Today's SongFebruary 6, 2021<February 5, 2021

Mother’s Cake’s “The Operator” Is a Furious Lashing Out Through Pounding Psychedelic Rock

Poppy © Sumerian Records 8.1
Music, Our Take, ReviewsJanuary 11, 2021<January 11, 2021

Our Take: Poppy’s ‘I Disagree’ Is a Raucous Ode to Artistic Freedom

Eyes Wide Open - TWICE 7
Music, Our Take, ReviewsDecember 3, 2020<December 18, 2020

Review: TWICE Court New Listeners & Old with Their Wildly Varied ‘Eyes Wide Open’

May Our Chambers Be Full - Emma Ruth Rundle & Thou 7.1
Music, Our Take, ReviewsNovember 16, 2020<December 15, 2020

Review: Emma Ruth Rundle & Thou’s ‘May Our Chambers Be Full’ Seizes a Bleak Moment & Subsumes It

Columns, Music, Today's SongOctober 19, 2020<October 18, 2020

Today’s Song: “The Valley” is a dynamic preview of Thou and Emma Ruth Rundle’s ‘May Your Chambers Be Full’

Music, Reviews, This Just InAugust 31, 2020<August 31, 2020

This Just In: Alice Glass Opens Sermon 3 Recordings’ ‘Sermon 4’ with Raw “Nightmares”

Posts pagination
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Recent Posts

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  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
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  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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