• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Danny Vagnoni

Danny Vagnoni

Danny Vagnoni is a writer specializing in music & culture writing, podcasting, and editorial work. Danny is currently working with Grammy winner Denny Somach (Ah Via Musicom, Eric Johnson) on an upcoming classic rock podcast and multimedia endeavour. He is based in Philadelphia, PA, and loves the city's resurgent culture. [Aside from all that, Danny has approximately five million instruments, two of which he can play competently, brews beer for kicks, co-hosts a podcast, and has a ceaseless drive to create.]

Patience - Mannequin Pussy 8.6
Music, Our Take, ReviewsJuly 3, 2019<December 15, 2020

Our Take: Mannequin Pussy’s ‘Patience’ Is the Shape of Punk to Come

Band of Skulls © John Ros
Features, Interviews, MusicMay 22, 2019<May 22, 2019

Feature: Band of Skulls Have a New Sheen, but the Same Good Heart

Dedicated - Carly Rae Jepsen
Music, Our Take, ReviewsMay 16, 2019<May 17, 2019

Our Take: The Strength and Maturity of Carly Rae Jepsen’s ‘Dedicated’

Mettavolution - Rodrigo y Gabriela
Music, Our Take, ReviewsMay 8, 2019<May 8, 2019

Our Take: Rodrigo y Gabriela Forge a Fiery New Path for Nuevo Flamenco on ‘Mettavolution’

Savoir Adore © Shervin Lainez
Features, Interviews, MusicApril 24, 2019<April 24, 2019

Feature: The New Savoir Adore Flourish in ‘Full Bloom’

Modest Mouse © James Joiner
Music, ReviewsApril 12, 2019<April 12, 2019

Modest Mouse’s “Poison the Well” Is Laser-Focused Venom at the Powerful and Cruel

Man © Hunters Race, Unsplash
Does Anybody Remember Laughter?April 1, 2019<February 3, 2023

Amazing! Area Business School Graduate Wishes He’d Stuck With Guitar

Immigrance - Snarky Puppy
Music, Our Take, ReviewsMarch 22, 2019<March 22, 2019

Our Take: Snarky Puppy’s ‘Immigrance’ Is a Slow-Burn Opus

Tiny Hueman © 2019
Columns, Music, Today's SongFebruary 27, 2019<February 27, 2019

Creative Democracy: A Conversation with Tiny Hueman

Gallipoli - Beirut
Music, Our Take, ReviewsFebruary 13, 2019<February 13, 2019

Our Take: Joy and Sorrow in Beirut’s ‘Gallipoli’

Rodrigo y Gabriela © Ebru Yildiz
Columns, Music, Today's SongFebruary 8, 2019<February 8, 2019

Today’s Song: Rodrigo y Gabriela Give Pink Floyd’s “Echoes” a Breathtaking New Energy

Foals © Alex Knowles
Columns, Music, Today's SongJanuary 29, 2019<January 29, 2019

Today’s Song: Swagger & Spiritual Claustrophobia in Foals’ “Exits”

Trigger Warning - Killer Mike
Reviews, VideoJanuary 25, 2019<January 26, 2019

Review: ‘Trigger Warning’ with Killer Mike Has a Big Heart Underneath its Pugilistic Attitude

"Crazy Classic Life" by Janelle Monae
Columns, Music, Music Videos, Today's SongDecember 21, 2018<December 20, 2018

Today’s Song: Freedom & Loss in Janelle Monáe’s “Crazy, Classic, Life”

Carly Rae Jepsen © Natalie O’Moore
Columns, Music, Today's SongDecember 10, 2018<May 31, 2022

Today’s Song: Carly Rae Jepsen’s “Party for One” Is an Ode to Solitude

Posts pagination
1 2 3

Recent Posts

  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
  • Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life May 14, 2026
  • “Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song May 14, 2026
  • “Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light May 14, 2026
  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services