• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Danny Vagnoni

Danny Vagnoni

Danny Vagnoni is a writer specializing in music & culture writing, podcasting, and editorial work. Danny is currently working with Grammy winner Denny Somach (Ah Via Musicom, Eric Johnson) on an upcoming classic rock podcast and multimedia endeavour. He is based in Philadelphia, PA, and loves the city's resurgent culture. [Aside from all that, Danny has approximately five million instruments, two of which he can play competently, brews beer for kicks, co-hosts a podcast, and has a ceaseless drive to create.]

Music to Burnout To
Essays, MusicApril 1, 2025<April 1, 2025

Music to Burnout To

The Libertines © Ed Cooke
Features, Interviews, MusicMay 3, 2024<May 2, 2024

“This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret

Poppy © Le3ay
Features, Interviews, MusicOctober 25, 2023<October 28, 2023

When You Zig, I Zag: A Conversation with Poppy

YOASOBI © 2023
Features, Interviews, MusicAugust 4, 2023<August 4, 2023

“Turning novels into music:” A Storied Conversation With YOASOBI

Danny Vagnoni © 2023
Columns, Meet Our WritersJuly 29, 2023<July 29, 2023

Meet Our Writers: Philadelphia’s Danny Vagnoni

Formula of Love - TWICE 8
Music, Our Take, ReviewsDecember 14, 2021<December 14, 2021

‘Formula of Love: O+T=<3’ Presents TWICE’s Most Progressive Release Yet

TWICE "The Feels"
Columns, Music, Today's SongOctober 18, 2021<October 18, 2021

Today’s Song: TWICE, Once More From the Beginning with “The Feels,” Their First English Single

HEALTH © 2021
Columns, Music, Today's SongFebruary 21, 2021<February 21, 2021

Today’s Song: HEALTH Contend with Hopelessness & Despair in Dystopian “FEEL NOTHING”

Psychedelic Porn Crumpets © Tristan McKenzie
Features, Interviews, MusicFebruary 9, 2021<July 4, 2024

‘SHYGA! The Sunlight Mound’ & Post-Tourmatic Stress Disorder: An Interview with Psychedelic Porn Crumpets

Mother's Cake © Manu Chó
Columns, Music, Today's SongFebruary 6, 2021<February 5, 2021

Mother’s Cake’s “The Operator” Is a Furious Lashing Out Through Pounding Psychedelic Rock

Poppy © Sumerian Records 8.1
Music, Our Take, ReviewsJanuary 11, 2021<January 11, 2021

Our Take: Poppy’s ‘I Disagree’ Is a Raucous Ode to Artistic Freedom

Eyes Wide Open - TWICE 7
Music, Our Take, ReviewsDecember 3, 2020<December 18, 2020

Review: TWICE Court New Listeners & Old with Their Wildly Varied ‘Eyes Wide Open’

May Our Chambers Be Full - Emma Ruth Rundle & Thou 7.1
Music, Our Take, ReviewsNovember 16, 2020<December 15, 2020

Review: Emma Ruth Rundle & Thou’s ‘May Our Chambers Be Full’ Seizes a Bleak Moment & Subsumes It

Columns, Music, Today's SongOctober 19, 2020<October 18, 2020

Today’s Song: “The Valley” is a dynamic preview of Thou and Emma Ruth Rundle’s ‘May Your Chambers Be Full’

Music, Reviews, This Just InAugust 31, 2020<August 31, 2020

This Just In: Alice Glass Opens Sermon 3 Recordings’ ‘Sermon 4’ with Raw “Nightmares”

Posts pagination
1 2 3

Recent Posts

  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
  • Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life May 14, 2026
  • “Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song May 14, 2026
  • “Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light May 14, 2026
  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services