• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Jesse Herb

Jesse Herb

Jesse Herb is a 22 year old Chapman graduate, currently working at Dreamworks Animation in CA. In addition to Atwood, she also writes film reviews for Merry Go Round Magazine, her favorite color is green, and she’s allergic to pineapple. The Killers are her all time favorite band and nothing makes her swoon faster than a good ballad. Lastly she’d like to thank her mom, who used to be a DJ in the 70s, for encouraging her to listen to everything under the sun and never be scared of the unknown.

Hand Habits © Jacob Boll
Features, Interviews, MusicFebruary 11, 2022<February 15, 2022

Interview with Hand Habits: Finding the Growth in Pain & Building a ‘Fun House’ of Emotion

NewDad
Debut, Features, Interviews, MusicApril 15, 2021<April 13, 2021

Interview: Dive Headfirst into Irish Dream Pop Band NewDad’s Debut EP ‘Waves’

BTS 'Map of the Soul: 7'
Music, ReviewsJanuary 8, 2021<June 13, 2023

Praise Is Long Overdue for BTS’ Nuanced, Heartfelt, Electrifying ‘Map of the Soul: 7’

Columns, Music, Today's SongDecember 17, 2020<December 17, 2020

Today’s Song: Apollo Flowerchild’s “Bloody Hands” Is a Grief-Stricken, Placating Ode to Past Selves & New Tomorrows

Ginger Root © Cameron Lew
Features, Interviews, MusicNovember 23, 2020<November 23, 2020

Interview: Time Marches on with Ginger Root’s Third Album, ‘Rikki’

Izzy Heltai © Joanna Chattman
Music, PremieresSeptember 24, 2020<September 24, 2020

Premiere: Izzy Heltai’s “Father” Is a Gentle, Cerebral Reminder About the Facts of Life

Left at London © West Smith
Columns, Music, Today's SongSeptember 23, 2020<September 23, 2020

Today’s Song: Left at London’s “Safety First” Is More Vulnerable Than We Deserve

Prince Johnny Kristina Kashtanova @backtoenough (1)
Music, PremieresAugust 20, 2020<August 20, 2020

Premiere: A Forlorn, Nursery Rhyme of Self-Loathing with Prince Johnny’s “Sex Party”

Columns, Music, Today's SongAugust 12, 2020<August 11, 2020

Today’s Song: The Nuance of Pop & Evocation Around Drama with Bronze Avery’s “Messy”

Kacy Hill © Chuck Grant
Columns, Music, Today's SongJune 5, 2020<June 5, 2020

Today’s Song: Kacy Hill Explores Radical Acceptance and Self-Validation on “Porsche”

Susie Save Your Love - Allie X, Mitski
Columns, Music, Today's SongMay 28, 2020<May 28, 2020

Allie X & Mitski Make Water into Wine via Narrative Songwriting with “Susie Save Your Love”

Magdalena Bay © Kate Biel lr
Features, Interviews, MusicMarch 13, 2020<March 13, 2020

Escapist Music from an Evocative Vibe: Magdalena Bay Discuss EP ‘A Little Rhythm and a Wicked Feeling’

Tori Amos 1992 © Tori Amos
Columns, Music, Nostalgia TracksFebruary 6, 2020<February 6, 2020

Nostalgia Tracks: Exploring the Physical & Metaphysical Conventions of Dishware with Tori Amos’ “China”

FKA Twigs © Matthew Stone
Columns, Music, Today's SongSeptember 19, 2019<September 19, 2019

Today’s Song: FKA twigs Preaches a Self-Love Saturated Gospel with “holy terrain”

Kim Petras © Spencer Byron
Columns, Music, Today's SongJune 21, 2019<June 21, 2019

Today’s Song: Sex as a Political Statement in Kim Petras’ “Do Me”

Posts pagination
1 2

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services