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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Cloudy June © Achernar Photography
Columns, Music, Today's SongApril 17, 2020<April 17, 2020

Today’s Song: Cloudy June Paints a Lively Portrait of a Spellbinding Lady in “High Waist to Hell”

Eternal Atake - Lil Uzi Vert 8.1
Music, Our Take, ReviewsApril 14, 2020<December 15, 2020

Our Take: Fans of Hip-Hop & Sci-Fi Will Enjoy the Expansive Thrills of Lil Uzi Vert’s Two-Part Release, ‘Eternal Atake’

Emmy Wildwood
Interviews, MusicApril 8, 2020<April 8, 2020

Back in the Desert & Bringing Heat in the Studio: A Conversation with Emmy Wildwood

Bo Baskoro © 2020
Music, Music Videos, PremieresApril 2, 2020<April 1, 2020

Premiere: Bo Baskoro Returns to an Intimate Period of His Past on “Close Enough”

Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

This Just In: The Rolling Stones Call It Quits

Debut, Music, Our Take, ReviewsMarch 31, 2020<December 15, 2020

Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’

Future Nostalgia - Dua Lipa 9
Music, Our Take, ReviewsMarch 30, 2020<December 15, 2020

Our Take: All Queue Up for the Party of the Year on Dua Lipa’s ‘Future Nostalgia’

Rachel Levin © Riker Brothers Photography
Columns, Interviews, Music, Today's SongMarch 30, 2020<March 30, 2020

Today’s Song: YouTuber Rachel Levin Launches Music Career with “Myself,” a Positive Anthem of Self-Acceptance

Riaz Ahmad © 2020
Debut, Music, ReviewsMarch 27, 2020<March 27, 2020

Review: Riaz Ahmad Proves a Glorious Singer & Affectionate Son on Debut EP ‘All at Sea’

Reva DeVito © 2020
Features, Interviews, MusicMarch 26, 2020<March 26, 2020

Interview with Reva DeVito: A Portland R&B Veteran Unveils Her Most Personal Music To-Date

Columns, Music, Today's SongMarch 26, 2020<March 26, 2020

Today’s Song: Welsh Sister Duo The Debutantes Razzle n’ Dazzle on “My Precious Love”

Love You Later
Features, Interviews, MusicMarch 24, 2020<March 24, 2020

Interview with Love You Later: A Dive into the Complexities of Emotion

Lastlings © 2020
Columns, Music, Today's SongMarch 19, 2020<March 21, 2020

Today’s Song: Gold Coast’s Lastlings Hold on Tight in Pulsing “Take My Hand,” Their First with Astralwerks

The Allegory - Royce da 5'9" 7.5
Music, Our Take, ReviewsMarch 17, 2020<December 15, 2020

Our Take: Royce da 5’9″ Remains a Hip-Hop Megatalent on Eighth Album ‘The Allegory’

Interviews, MusicMarch 17, 2020<March 17, 2020

How to Break the Curse of the Black Orlov: A Conversation with JW Paris

Posts pagination
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Recent Posts

  • “I Made Something Beautiful Out of That Pain”: Liya Shapiro Turns Heartache into Catharsis on “Another Woman” April 25, 2026
  • “What You Hear Is What Was Played”: Any Young Mechanic Are Bringing Raw, Beautifully Human Imperfections Back to Modern Folk Music April 24, 2026
  • “It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’ April 24, 2026
  • Atwood Magazine’s Weekly Roundup: April 24, 2026 April 24, 2026
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  • “Rock ‘n’ Roll Is Something We Believe In”: Pleasure Pill Come ‘Alive’ with Infectious Britpop Charm & Churn on Electrifying EP April 23, 2026
  • “Is It That I’m Not Your Type?”: Abby Nissenbaum Burns with Longing on “Naomi,” a Soulful & Smoldering Torch Song April 23, 2026
  • Today’s Song: Curls Ultra’s “Vegas (Mandalay Bay)” Is More Than Love and Yearning April 23, 2026
  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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