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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Features, Interviews, MusicJuly 13, 2020<April 4, 2024

Interview with Baseball Game: Bouncing Back from the Hardships of Little League

Interviews, MusicJuly 10, 2020<July 10, 2020

Interview: Many Beaches May Be Closed, But Iration’s New Album “Coastin'” Can Teleport You There

Music, ReviewsJuly 8, 2020<July 8, 2020

Review: ‘Nightwhisper’ Is a Solo Comeback to Admire for Veteran Electronica Star Jody Wisternoff

Interviews, MusicJuly 3, 2020<July 3, 2020

Meet Zanski: A Talented Young EDM Producer Unafraid of Tackling Tough Topics

Midnight Kids © Dan Franco
Interviews, MusicJune 29, 2020<June 29, 2020

Interview with Midnight Kids: Two Talented Youngsters Bring the Night Sky to Life on Vibrant Debut, ‘The Lost Youth’

How I'm Feeling Now - Charli XCX 7.9
Music, Our Take, ReviewsJune 23, 2020<December 15, 2020

Our Take: Charli XCX Remains the Queen of Electropop Love Tunes on ‘How I’m Feeling Now’

6.9
Music, Our Take, ReviewsJune 17, 2020<December 15, 2020

Our Take: Lil Wayne Compiles a Puffy Grab Bag on ‘Funeral (Deluxe)’

sobhhï © 2020
Features, Interviews, MusicJune 5, 2020<June 5, 2020

Interview with Sobhhi: A Dreamy Modern Approach to “Le Rouge et le Noir.”

Interviews, MusicJune 3, 2020<June 3, 2020

Interview with Ukiyo: Emerging from Isolation with a Slew of Hot New Tracks

Post Rome © 2020
Features, Interviews, MusicJune 1, 2020<May 30, 2020

Interview with Post Rome: An Emerging English Rock Band Patiently Awaits the Chance to Proceed

Jessame "Love Thing"
Columns, Interviews, Music, Today's SongMay 30, 2020<February 29, 2024

Interview: “Love Thing” Marks a Fiery First Collaboration for Pisano & Jessame

Syd Silvair © Conner Reddan
Features, Interviews, MusicMay 26, 2020<May 26, 2020

Interview with Syd Silvair: A Skilled Card Reader Can Also Follow the Rules of Strong Song-Crafting

7.1
Music You Should Know, Our TakeMay 21, 2020<December 15, 2020

Our Take: ‘Man of the Woods’ Proves to Be a Solid Effort From JT

Anthony Mills © Ted Lindén
Interviews, MusicMay 19, 2020<May 19, 2020

Interview with Anthony Mills: An Ohio Native with Southern Heritage Riding High on a Swedish Indie Label

Interviews, MusicMay 18, 2020<May 18, 2020

Dream Hunting in the Valley of the In-Between: An Interview with Man Man

Posts pagination
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Recent Posts

  • “This Record Personally Feels Like a Reset Button”: Adam Rubenstein Reaches for What Still Connects Us on the Restless, Radiant ‘Firebreak’ and “Don’t Mean Much” ft. Vernon Reid October 7, 2026
  • A Planet Where Billionaires Reign: Leaving Graffiti’s Debut Single “Proud” Takes Aim At a Broken System October 6, 2026
  • “Shipped You Off to Practice What We Preach”: Spanish Love Songs Put the American Promise on Trial with “Good American,” a Furious Rock Anthem Reclaiming Patriotism Through Solidarity October 6, 2026
  • Taylor Swift Adds One More Act to the Show in ‘The Life of a Showgirl: The Encore’ October 6, 2026
  • Album Review: Tinashe Knows What It Costs to Make Stardom Look Too Easy on ‘Popstar’ October 6, 2026
  • “I’m Right Where I Always Wanted to Be”: Ken Yates Makes Room for Every Shade of Life on ‘Total Cinema,’ a Vibrant Portrait of a Late Bloomer in Full Bloom October 5, 2026
  • “We Have to Face the Pain to Unlock Healing”: Jeff Darko Reveals His Soul on Daring Debut ‘Heavy Water Blues,’ a Spellbinding Vision of Psychedelic Gospel October 2, 2026
  • Atwood Magazine’s Weekly Roundup: October 2, 2026 October 2, 2026
  • Interview: Dexter and the Moonrocks Let It All in on Debut Album ‘Friends That I Don’t Like’ October 2, 2026
  • “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut October 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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