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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

How I'm Feeling Now - Charli XCX 7.9
Music, Our Take, ReviewsJune 23, 2020<December 15, 2020

Our Take: Charli XCX Remains the Queen of Electropop Love Tunes on ‘How I’m Feeling Now’

6.9
Music, Our Take, ReviewsJune 17, 2020<December 15, 2020

Our Take: Lil Wayne Compiles a Puffy Grab Bag on ‘Funeral (Deluxe)’

sobhhï © 2020
Features, Interviews, MusicJune 5, 2020<June 5, 2020

Interview with Sobhhi: A Dreamy Modern Approach to “Le Rouge et le Noir.”

Interviews, MusicJune 3, 2020<June 3, 2020

Interview with Ukiyo: Emerging from Isolation with a Slew of Hot New Tracks

Post Rome © 2020
Features, Interviews, MusicJune 1, 2020<May 30, 2020

Interview with Post Rome: An Emerging English Rock Band Patiently Awaits the Chance to Proceed

Jessame "Love Thing"
Columns, Interviews, Music, Today's SongMay 30, 2020<February 29, 2024

Interview: “Love Thing” Marks a Fiery First Collaboration for Pisano & Jessame

Syd Silvair © Conner Reddan
Features, Interviews, MusicMay 26, 2020<May 26, 2020

Interview with Syd Silvair: A Skilled Card Reader Can Also Follow the Rules of Strong Song-Crafting

7.1
Music You Should Know, Our TakeMay 21, 2020<December 15, 2020

Our Take: ‘Man of the Woods’ Proves to Be a Solid Effort From JT

Anthony Mills © Ted Lindén
Interviews, MusicMay 19, 2020<May 19, 2020

Interview with Anthony Mills: An Ohio Native with Southern Heritage Riding High on a Swedish Indie Label

Interviews, MusicMay 18, 2020<May 18, 2020

Dream Hunting in the Valley of the In-Between: An Interview with Man Man

Nevermind - NAWAS
Columns, Music, Today's SongMay 17, 2020<May 17, 2020

Today’s Song: “Nevermind” Proves an Emotionally Raw, Vocally Alluring Number for NAWAS

It Is What It Is - Thundercat by Eddie Alcazar 8.3
Music, Our Take, ReviewsMay 15, 2020<December 15, 2020

Our Take: ‘It Is What It Is’ Finds a Grieving Thundercat at the Height of his Craft

Columns, Music, Today's SongMay 7, 2020<May 7, 2020

Today’s Song: Noah Chenfeld Contemplates a World of Indifference on the Absorbing “Stop The Bus”

Luttrell © Demian Becerra
Features, Interviews, MusicMay 6, 2020<May 6, 2020

Interview with Luttrell: Fans of Quality Electronica are the ‘Lucky Ones’ Now

John-Robert © Spencer Ford
Debut, Interviews, MusicApril 23, 2020<April 23, 2020

Interview: Meet John-Robert, a Singer/Songwriter Full of Heart, Soul, and Acoustic Sincerity

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Recent Posts

  • “Don’t Give Up on Us”: Lewis Capaldi Finds Stillness in the Storm on “Stay Love” May 16, 2026
  • Atwood Magazine’s Weekly Roundup: May 15, 2026 May 15, 2026
  • “I Can’t Help Myself, I’m All About You”: Lola Blue Surrenders to the Bright Rush of Young Love on “Heartbeat,” a Dreamy Indie Pop Seduction May 15, 2026
  • Kacey Musgraves Chases Away the Past & Lassos the Future on ‘Middle of Nowhere’ May 15, 2026
  • ‘Please Stop Laughing’: Ray Bull Find Freedom in the Unknown on a Playful, Spirited Indie Pop Album Full of Jokes, Bruises, & Feeling May 15, 2026
  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
  • Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life May 14, 2026
  • “Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song May 14, 2026
  • “Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light May 14, 2026
  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
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