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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Love You Later
Features, Interviews, MusicMarch 24, 2020<March 24, 2020

Interview with Love You Later: A Dive into the Complexities of Emotion

Lastlings © 2020
Columns, Music, Today's SongMarch 19, 2020<March 21, 2020

Today’s Song: Gold Coast’s Lastlings Hold on Tight in Pulsing “Take My Hand,” Their First with Astralwerks

The Allegory - Royce da 5'9" 7.5
Music, Our Take, ReviewsMarch 17, 2020<December 15, 2020

Our Take: Royce da 5’9″ Remains a Hip-Hop Megatalent on Eighth Album ‘The Allegory’

Interviews, MusicMarch 17, 2020<March 17, 2020

How to Break the Curse of the Black Orlov: A Conversation with JW Paris

Father of All Motherfuckers - Green Day album art 7.2
Music, Our Take, ReviewsMarch 3, 2020<December 15, 2020

Our Take: With ‘Father of All Motherfuckers’, the Middle-Aged Men of Green Day Prove They Are Still Young at Heart

Columns, Music, Today's SongMarch 2, 2020<March 2, 2020

Today’s Song: Aussies Willaris. K & Gordi Unite for a Startling Sonic Exploration of the “Indifferent” Mindset

shYbeast's Devin Oliver
Debut, Interviews, MusicFebruary 21, 2020<February 21, 2020

Threading Rock, Electronica & Vulnerability Together: A Conversation with shYbeast

Glassio © Katelyn Kopenhaver
Interviews, MusicFebruary 11, 2020<March 13, 2020

Interview: Meet Glassio, an Artist Fueled by Melancholic & Halcyon Melodies

Surf Rock Is Dead © Shamshawan Scott
Columns, Music, Today's SongFebruary 11, 2020<February 11, 2020

Today’s Song: Messy Roommates Surf Rock is Dead Enter the World of Dreamy Indie Rock with “Diabolik”

Alex Kennedy
Columns, Music, Today's SongJanuary 24, 2020<January 24, 2020

Today’s Song: Alex Kennedy Enters Fatherhood & Music Business with Compassionate “Baby Steps”

Eminem © 2020 7.8
Music, Our Take, ReviewsJanuary 23, 2020<December 15, 2020

Our Take: Eminem’s 11th Album ‘Music to be Murdered By’ Proves a High-Quality Surprise

Denis Coleman © Lucille Khornak
Interviews, MusicJanuary 22, 2020<January 22, 2020

Perfectly Imperfect for You: A Conversation with Denis Coleman

Romance - Camila Cabello 7.4
Music, Our Take, ReviewsJanuary 20, 2020<December 15, 2020

No Sophomore Slump Here: Our Take on Camila Cabello’s ‘Romance’

Bubba - Kaytranada 8.7
Music, Our Take, ReviewsJanuary 14, 2020<December 15, 2020

Our Take: Kaytranada Delivers the Last Great Dance Record of the 2010s

Columns, Music, Today's SongJanuary 8, 2020<January 8, 2020

Today’s Song: Love Is Still So Hard for The Millennial Club on “Coffee in the Morning”

Posts pagination
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Recent Posts

  • “A Long-Winded Love Song”: Post Sex Nachos Bring It Home With “All for You” June 26, 2026
  • Musical Mind-Reading: An Introduction to ‘t e l e p a t h テレパシー能力者’ June 26, 2026
  • “My New Sound Feels Like Home”: bodie Is an “Almost Famous” Alt-Pop Artist Looking to Finally Seal the Deal June 26, 2026
  • “I’d Probably Tell That Kid to Enjoy the Ride”: Charles Kelley and Richard Marx Cruise Down Memory Lane with “Driving and Listening to Music” June 26, 2026
  • “I Saw Your Face in Eternity”: Chris Wills & Revenge Wife Chase Love Across Lifetimes on “Love Live On,” a Spellbinding Ode to Devotion’s Everlasting Flame June 25, 2026
  • “Becoming Saint Micah”: A Pride Month Essay by Saint Micah June 25, 2026
  • Interview: Out of France’s Wine Region Comes molto morbidi, a Seasoned Artist Ready to Spin Her Sadness into Musical Gold June 25, 2026
  • “I Need a Way to Come Undone”: Samuel S.C. Turn Restlessness into Release on “I Need a Moment,” a Rip-Roaring Indie Rock Reckoning June 24, 2026
  • “If You’re Not Happy, Leave!!!”: aleksiah Turns Self-Worth into Pop Perfection on “Bullsh*t, Baby!” & Her Irresistible Third EP ‘Good On Paper’ June 24, 2026
  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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