• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sam Weber © Jacob Boll
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

Track-by-Track: Sam Weber Dives into the Heartfelt Depths of ‘Get Free’

SPINN © Barnaby Fairley
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

“Outside of the Blue”: SPINN Harness the Power of Love on Seductive, Soaring Second Album

treesreach © 2022
Columns, Music, Today's SongFebruary 8, 2022<February 8, 2022

Today’s Song: treesreach’s “How It Seems” Is an Anthem for The Great Resignation

Sooner © Jacquelyne Pierson
Music, PremieresFebruary 7, 2022<February 7, 2022

Premiere: Brooklyn Band Sooner Channel a Whisper & a Shout in Stirring New Single “Thursday”

Hembree © Jonny Marlow
Features, Music, Reviews, Track-by-TrackFebruary 4, 2022<February 4, 2022

“It’s a Dream!”: Inside Hembree’s Refreshingly Vibrant, Layered, & Ambitious Sophomore Album

The Slow Show © 2022
Features, Music, Reviews, Track-by-TrackFebruary 4, 2022<February 4, 2022

“STILL LIFE”: The Slow Show Create ‘Moments of Feeling’ in Beautifully Radiant & Resonant 4th Album

Hana Eid © Sam Wilson
Columns, Music, Today's SongFebruary 4, 2022<February 4, 2022

Today’s Song: Hana Eid Channels Young Love’s Passion in Cinematic Anthem “Dancing to The Smiths”

Peter Raffoul © Travis Latam
Columns, Music, Today's SongFebruary 3, 2022<February 3, 2022

Today’s Song: Peter Raffoul Is Barely Moving on in Radiant Second Single “cigarette holes”

MA/SA © Brittany Douziech
Music, Music Videos, PremieresFebruary 3, 2022<February 3, 2022

Premiere: MA/SA Dwells in Grief’s Void on Aching, Ethereal New Single “In My Breath”

Micah Edwards © Jeremy Kabala
Music, PremieresFebruary 2, 2022<February 2, 2022

Premiere: Micah Edwards Channels His Texas Soul in “Jean Leon”

Verb Tec © Dan Shahbazian
Music, Music Videos, PremieresFebruary 1, 2022<February 1, 2022

Video Premiere: Philly’s Verb Tec & Vanderslice Hit Home on “Letter From Portsmouth,” an Epic & Dynamic Artistic Statement

No Frills © Andrew McGill
Music, Music Videos, PremieresJanuary 31, 2022<January 31, 2022

Premiere: Toronto’s No Frills Explore Identity & Emulation in Buoyant “Copy Cat”

Atwood Magazine Editor's Picks 54
Columns, Editor's Picks, Features, MusicJanuary 28, 2022<June 6, 2022

Editor’s Picks 54: Nilüfer Yanya, Jack White, NewDad, Public Domain, Foxes, & Sunflower Thieves

Fergus © Matthew Thorne
Columns, Music, Today's SongJanuary 28, 2022<January 28, 2022

Today’s Song: Fergus Finds Redemption in Our Raw Depths on Tender Reeling “Flatline”

Sara Rachele © 2022
Music, PremieresJanuary 27, 2022<January 27, 2022

Premiere: Sara Rachele Basks in a Moment of Intimate Reverie on “T-T-Tonight”

Posts pagination
1 … 117 118 119 120 121 … 306

Recent Posts

  • “Can We Stop Pretending That It’s All So Good?”: Sleeping With Sirens Return to Glory with “An Ending In Itself” July 16, 2026
  • “Too Cool to Smile”: Otlo Dreams Bigger on His Heartfelt Album ‘A Boy Can Dream’ July 16, 2026
  • “Falling in Love With the Chaos”: GIMMY’s Gemma Owens on Refusing to Be Molded by the Music Industry and Their Latest ‘Labour of Love’ July 16, 2026
  • “Metallic, Pure, & Sincere”: cyanotype Expose Their Inner Turmoil on Debut EP ‘the urge becomes the trigger’ July 16, 2026
  • “I Am the Best Artist I’ve Ever Been”: 44phantom Breaks Through on ‘IN RETROSPECT,’ a Raw, Bruising Reckoning With Himself July 16, 2026
  • “Yearning Season’s Here”: GRESLEY Lays His Heart Bare on ‘Songs I Wrote Since She Left,’ an Achingly Intimate Portrait of Love Under Strain July 15, 2026
  • Let’s Create Again: Joe Strummer, the Rare Rock Star Who Didn’t Seem Changed by Fame July 15, 2026
  • Our Take: Suki Waterhouse Boldly Explores the Facets of Romance on ‘Loveland’ July 15, 2026
  • “Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs July 15, 2026
  • Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’ July 14, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services