• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

'Under My Influence' Bonus Tracks - The Aces
Music, Reviews, This Just InFebruary 5, 2021<February 5, 2021

This Just In: The Aces Keep Shining with Buoyant New Songs “Sleepy Eyes” & “Aren’t You”

emawk © 2021
Columns, Music, Today's SongFebruary 5, 2021<February 5, 2021

Today’s Song: emawk Takes the “HIGHROAD” in Spellbinding New Single

The Staves © Sequoia Ziff 10
Features, Interviews, MusicFebruary 5, 2021<April 8, 2021

Feature: The Staves’ ‘Good Woman’ Is an Intimate & Breathtaking Masterpiece

Ruti © 2021
Columns, Music, Today's SongFebruary 4, 2021<February 5, 2021

Today’s Song: Ruti’s Radiant “My Sunrise” Is a Bright & Buoyant Vibe

JONAH © Bastian Kempf
Music, Music Videos, PremieresFebruary 4, 2021<February 11, 2021

Premiere: JONAH’s Hauntingly Delicate “Fallin'” Radiates with Cinematic Intimacy & Connection

Waves - Suad
Debut, Features, Interviews, Music, ReviewsFebruary 3, 2021<February 3, 2021

“Emotional, Caring, & Honest”: Finland’s SUAD Stuns with Sweeping Debut Album ‘Waves’

Portair © Ashley Osborn
Music, PremieresFebruary 3, 2021<February 3, 2021

Premiere: Portair Evokes Weightless Folk Pop Wonder in “Paper in the Sky”

Mosa Wild © 2021
Music, ReviewsFebruary 2, 2021<February 2, 2021

Review: Mosa Wild Return with Tender Single “Cry Baby,” a Beautiful & Compelling Upheaval

Jeauneil © Coco Victoria
Columns, Music, Today's SongFebruary 2, 2021<February 2, 2021

Today’s Song: Jeauneil Captures the Weight of “Falling” with Breathtaking Debut Single

When You Found Me - Lucero
Features, Interviews, Music, Reviews, Track-by-TrackJanuary 29, 2021<March 14, 2021

“You’re Your Family”: Lucero Dive into the Depths of Sweeping Tenth Album ‘When You Found Me’

Shrug - Rat Tally
Columns, Music, Today's SongJanuary 29, 2021<January 29, 2021

Today’s Song: Rat Tally’s Raw “Shrug” Is a Tender, Fragile, & Intimate Upheaval

Verzache © 2021
Features, Interviews, MusicJanuary 29, 2021<January 29, 2021

Interview: Toronto’s Verzache Dwells in the Wavey, Hazey Depths of “All I Need” Off Forthcoming Debut ‘My Head Is a Moshpit’

Adam Melchor © 2020
Artist to Watch, Music, ReviewsJanuary 28, 2021<January 28, 2021

Artist to Watch: Adam Melchor Stuns with Breathtakingly Beautiful Songs “Life on Earth?” & “The Last Song on Earth”

Phantom Wave © 2021
Columns, Music, Today's SongJanuary 28, 2021<January 28, 2021

Today’s Song: Brooklyn’s Phantom Wave Dwell in Ethereal Shoegaze Depths on Overdriven Upheaval “Billows”

Doohickey Cubicle © Jordyn Taylor-Robins
Music, PremieresJanuary 28, 2021<January 28, 2021

Premiere: Doohickey Cubicle’s Hazey Song “Sign Here” Is a Cheeky & Intoxicating Celebration of Consumerism

Posts pagination
1 … 146 147 148 149 150 … 298

Recent Posts

  • Keep Going: Rogér Fakhr’s Long-Awaited Homecoming March 20, 2026
  • “Beyond the Numbers: Visibility, Gatekeepers, & the Future of Women in Music”: An Essay by Elles Bailey for Women’s History Month March 20, 2026
  • “I Want Something Unfamiliar, Unpredictable”: midori jaeger Navigates Uprooting, Identity, & the Pull of the Unknown on “exasperate” and ‘(Un)planted’ March 20, 2026
  • Music Is a Means of Community for Curls Ultra March 20, 2026
  • “I’m in the Middle of the Past and the Future”: Chet Faker Comes Full Circle on ‘A Love for Strangers,’ Returning to Instinct, Curiosity, & the Feeling That Started It All March 20, 2026
  • Live Review: Milk & Bone Take Us an Emotional Journey, Dancing All the Way March 19, 2026
  • “Music Is a Journey, Not a Destination”: An Essay by Re Mattei for Women’s History Month March 19, 2026
  • “Catch Me on the Comedown”: The Maine Struggle to Slow Down on “Die to Fall,” a Restless Alt-Rock Fever Dream March 19, 2026
  • Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! March 18, 2026
  • Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions March 18, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services