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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sociopath - Olivia O'Brien
Interviews, MusicApril 9, 2021<May 7, 2021

“Sociopath”: Olivia O’Brien Goes Behind the Scenes of Her Thrilling New Song & Horror Film

Cujo Moon © Rae Mercedes
Music, Reviews, Track-by-TrackApril 9, 2021<April 9, 2021

“Reflecting. Accepting. Healing.”: Cujo Moon Weaves Worlds of Wonder in ‘Bridges II’ EP

Stealth
Debut, Music, Reviews, Track-by-TrackApril 9, 2021<April 9, 2021

“Soul Blues Goodness”: Stealth Soars in His Smoldering Debut Album ‘Bury Me’

Sarah Cicero
Debut, Music, Premieres, Track-by-TrackApril 8, 2021<April 8, 2021

“Raw, Emotive Yearning”: Sarah Cicero Spills Her Soul in Debut EP ‘Cold Immaculate Opposite’

Billie Essco © 2021
Features, Interviews, MusicApril 8, 2021<April 8, 2021

Interview: Buffalo Rapper Billie Essco Is in a League of His Own

Gatlin © Hannah Hall
Artist to Watch, Music, Reviews, This Just InApril 8, 2021<April 8, 2021

This Just In: Gatlin’s “What If I Love You” Is a Bright & Buoyant Upheaval

la loye © Nikki van de Poel
Music, Music Videos, PremieresApril 7, 2021<April 7, 2021

Premiere: The Hague’s la loye Balances Grief, Fragility, Pain & Beauty on Breathtaking “i only hear you in my song”

Valley "Like 1999" promo
Interviews, Music, ReviewsApril 7, 2021<April 7, 2021

Interview: VALLEY Capture ’90s Nostalgia in Uplifting Pop Anthem “Like 1999”

Talia © Josefine Cardoni
Debut, Features, Music, Reviews, Track-by-TrackApril 6, 2021<April 6, 2021

“Heart, Body, & Soul”: Brooklyn’s TALIA Dives into Her Intimate & Visceral Debut EP ‘headrush’

Beach Tiger © Honey Trap
Music, PremieresApril 5, 2021<April 5, 2021

Premiere: Beach Tiger Soars in Bright, Wild, & Wondrous “Where Do We Go From Here?”

Atwood Magazine Editor's Picks 49
Columns, Editor's Picks, Features, MusicApril 2, 2021<May 7, 2021

Editor’s Picks 49: Eliza Shaddad, Madi Diaz, Mustafa, E L E Y, VARLEY, & Amythyst Kiah

whiterosemoxie © Greg Gouvia
Music, ReviewsApril 2, 2021<April 2, 2021

‘ALL i’ve HEARD’: whiterosemoxie Shares His Musical Influences, New Songs “stains” & “Ring the Alarm”

Hey, King! © Richard Fournier
Features, Music, Reviews, Track-by-TrackApril 2, 2021<April 2, 2021

“Hope-Filled, Anthemic, & Canadian”: Hey, King! Dive into Their Energizing & Resilient Self-Titled Debut

Octopus's Garden
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

In the Shade: The True(ish) Story Behind The Beatles’ “Octopus’s Garden”!

Alex Little & The Suspicious Minds
Music, Premieres, Reviews, Track-by-TrackApril 1, 2021<April 1, 2021

“Raw, Fierce, & Catchy”: Alex Little & The Suspicious Minds Dive into Debut Album ‘Waiting to Get Paid’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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