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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Human Fly © Hayden Sitomer
Music, PremieresFebruary 19, 2020<February 19, 2020

Premiere: The Human Fly Dive into Identity & Legacy in Raw, Vulnerable EP ‘Indy500 (part1)’

Ali Holder
Music, PremieresFebruary 18, 2020<February 18, 2020

Premiere: Ali Holder’s Assertive “Bruja” Redefines What It Means to Be a Witchy Woman

Emily Afton
Music, Music Videos, PremieresFebruary 17, 2020<February 17, 2020

Premiere: The Political Protest in Emily Afton’s Outspoken “The Veil”

KOOLKID © Robbie Bannerman
Music, PremieresFebruary 13, 2020<February 13, 2020

Premiere: Getting All Up in Our “Feelings” with Glasgow’s Pop Provocateur KOOLKID

Fransancisco © Aaron Thomas
Music, PremieresFebruary 13, 2020<February 13, 2020

Premiere: Indie Folk Duo Fransancisco Debut with Breathtaking Heartache in “Gold”

Eliza Shaddad © Mel Tjoeng
Music, ReviewsFebruary 12, 2020<February 12, 2020

Review: Longing for Connection with Eliza Shaddad’s Stormy ‘Sept ~ Dec’ EP

Debut, Music, Music Videos, PremieresFebruary 12, 2020<February 12, 2020

Premiere: Artist-to-Watch Ryann Emerges with Irresistible, Impassioned Sophomore Single “Drive”

Fake Shape © David Caleb Courtney 2019
Debut, Music, PremieresFebruary 12, 2020<February 13, 2020

Premiere: Fake Shape Get Real Jazzy in Debut “Headspace”

Atwood Editor's Picks 28
Columns, Editor's Picks, Features, MusicFebruary 11, 2020<February 11, 2020

Editor’s Picks: February 11, 2020

Alexander Biggs © Jack Cain
Music, PremieresFebruary 11, 2020<February 10, 2020

Premiere: Alexander Biggs’ Breathtaking Song “Laundromat” & the Weight of Disconnection

Broken Robots © Joel Lopez
Music, Music Videos, PremieresFebruary 11, 2020<February 10, 2020

Premiere: Feeling Like a Fish with Broken Robots’ “Dimes and Quarters”

Paige Cora © Jennifer McCready
Music, PremieresFebruary 11, 2020<February 11, 2020

Premiere: Paige Cora Journeys Down “The Good Side of Desire” and Self-Discovery

JJ Wilde © Jonathan Weiner
Interviews, Music, Music Videos, ReviewsFebruary 7, 2020<February 7, 2020

Interview: JJ Wilde Reveals Her Raw & Vulnerable Side in “Funeral for a Lover”

Oh Wonder © Olga De La Iglesia
Features, Interviews, MusicFebruary 7, 2020<March 6, 2020

Interview: Oh Wonder Dive into Their Intimate Third Album, ‘No One Else Can Wear Your Crown’

Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Youngr & Tall Children Join Forces in Irresistible Sun-Soaked Banger “Last for Long”

Posts pagination
1 … 181 182 183 184 185 … 297

Recent Posts

  • Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! March 18, 2026
  • Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions March 18, 2026
  • “Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You” March 18, 2026
  • “We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality March 18, 2026
  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
  • “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month March 17, 2026
  • “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth March 17, 2026
  • Atwood Magazine’s Weekly Roundup: March 17, 2026 March 17, 2026
  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
  • “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem March 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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