• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Honest - San Holo & Broods © Dolly Ave
Music, ReviewsJanuary 31, 2020<January 31, 2020

Review: San Holo & Broods Team Up for an “Honest” Song of Intimate Connection

Alex Ebert music 2020
Features, Interviews, MusicJanuary 31, 2020<February 11, 2020

Uninhibited Instinct & Creative Freedom: Alex Ebert on His Unapologetic Album ‘I vs I’

Tyson Motsenbocker
Music, PremieresJanuary 30, 2020<January 30, 2020

Premiere: Tyson Motsenbocker Wants You to “Come to California” in His Golden New Song

Jack Symes
Music, PremieresJanuary 30, 2020<January 30, 2020

Premiere: Feel the Love in Jack Symes’ Seductive, Sunny Song “Baby, My Baby”

A Light | Dusk - Granite to Glass
Music, ReviewsJanuary 29, 2020<January 29, 2020

Brooklyn’s Granite to Glass Weave Wondrous Orchestral Folk in “A Light | Dusk”

Amy Milner © Tim Larcombe
Debut, Music, Premieres, ReviewsJanuary 29, 2020<January 29, 2020

EP Premiere: Amy Milner’s ‘Plans’ EP Is an Uplifting, Spellbinding Experience

TEME © Bo Morgan
Music, PremieresJanuary 29, 2020<January 29, 2020

Premiere: TEME’s Haunting Song “PRLYSD” Manifests Intimate Grief

Me & The Monster
Debut, Music, Premieres, ReviewsJanuary 28, 2020<January 28, 2020

Premiere: Me & the Monster Emerge with Urgency in Raw, Stirring Self-Titled Debut EP

Atwood Editor's Picks Jan 27 2020
Columns, Editor's Picks, MusicJanuary 28, 2020<January 28, 2020

Editor’s Picks: January 27, 2020

Annie O'Malley © Arielle Vey
Music, Music Videos, PremieresJanuary 27, 2020<January 27, 2020

Premiere: Annie O’Malley’s Soothing & Cinematic “Golden Doves”

The Lumineers 2020 III interview
Features, Interviews, MusicJanuary 24, 2020<June 25, 2020

Family, Addiction, and Raw Storytelling: An Interview with The Lumineers

Noble Oak © 2020
Music, Music Videos, PremieresJanuary 23, 2020<April 26, 2023

Premiere: Breaking the Mold with Noble Oak’s Ethereal “Morning”

Gloomies © Rebecca Burns
Music, PremieresJanuary 23, 2020<March 9, 2020

Premiere: Lose Yourself in The Gloomies’ Vibey & Hazy New Song, “Sideways”

Golden - Alexz Johnson
Music, ReviewsJanuary 22, 2020<January 22, 2020

Alexz Johnson Rises and Shines in Uplifting, Heartfelt Ballad “Golden”

Taylor Grey © @jennicamaephoto / Jennica Mae Photo
Music, PremieresJanuary 22, 2020<January 27, 2020

Premiere: Pop Starlet Taylor Grey Embraces a “COMPLIC8ED” Romance with Feverish Passion

Posts pagination
1 … 181 182 183 184 185 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services