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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Beach Tiger © Lindsey McCleskey
Music, PremieresMarch 18, 2020<March 18, 2020

Premiere: Beach Tiger Returns for Good with Buoyant “Hard to Love,” an Aching Indie Pop Anthem

Local Nomad © 2020
Music, Music Videos, PremieresMarch 17, 2020<March 19, 2020

Premiere: Artist-to-Watch Local Nomad Ignites with Intimate Indie Pop Anthem “Gates”

Atwood Magazine Editor's Picks 31
Columns, Editor's Picks, Features, MusicMarch 17, 2020<May 15, 2020

Editor’s Picks: March 17, 2020

Fiction Non Fiction © 2020
Music, PremieresMarch 16, 2020<March 16, 2020

Premiere: Fiction Non Fiction’s Sunny “Be There Shine” Is a Loving Embrace

Rental House William Wild 1
Music, Music Videos, PremieresMarch 13, 2020<March 13, 2020

Premiere: William Wild Haunts on the Intimate & Immediate “Rental House” off New Album ‘Push Ups’

Beauty Queen © Taylor Thompson
Columns, Music, Today's SongMarch 12, 2020<March 12, 2020

Today’s Song: Beauty Queen’s Dreamy “Sweet Memory” Evokes Seductive Wonder

Imbalances - Micah McCaw
Music, Premieres, ReviewsMarch 11, 2020<March 11, 2020

Premiere: Micah McCaw Injects Urgent Energies into Dynamic Sophomore Album ‘Imbalances’

Konradsen © Sara Angelica Spilling
Features, Interviews, MusicMarch 11, 2020<March 11, 2020

Ethereality & Community: Diving into Konradsen’s Breathtaking Debut Album ‘Saints and Sebastian Stories’

Hotel Mira Promo Shot 2019_2
Music, Music Videos, PremieresMarch 10, 2020<March 10, 2020

Premiere: Hotel Mira’s Visceral Unveiling “Speaking Off the Record” & the Spirit of New Album ‘Perfectionism’

Interviews, Music, ReviewsMarch 10, 2020<July 29, 2021

Interview: CLAVVS’ Honest & Immersive Alt-Pop Record ‘No Saviors (Extended)’

Are We Getting Better? - The Gloomies
Music, Reviews, Track-by-TrackMarch 10, 2020<March 11, 2020

Track-by-Track: The Gloomies’ Beachy, Visceral, & Intimate Album ‘Are We Getting Better?’

Inspired & the Sleep
Music, PremieresMarch 9, 2020<March 9, 2020

Premiere: Inspired & the Sleep Persevere with Touching “Carry On” off New Debut Album

Thrillhouse
Debut, Interviews, Music, Music Videos, PremieresMarch 6, 2020<March 6, 2020

Interview: For Brighton Indie Rock Band Thrillhouse, “Lesser” Is More

Still Alive - Alexz Johnson
Interviews, Music, PremieresMarch 6, 2020<March 13, 2020

Premiere: Alexz Johnson’s Stirring Anthem of Hope “Still Alive” Previews an Intimate 4th Studio Album

Atwood Magazine Editor's Picks 30
Columns, Editor's Picks, Features, MusicMarch 6, 2020<May 15, 2020

Editor’s Picks: March 6, 2020

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Recent Posts

  • ‘Please Stop Laughing’: Ray Bull Find Freedom in the Unknown on a Playful, Spirited Indie Pop Album Full of Jokes, Bruises, & Feeling May 15, 2026
  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
  • Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life May 14, 2026
  • “Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song May 14, 2026
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  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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