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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Racoon Racoon © Yoris Photographer
Music, PremieresOctober 9, 2019<November 21, 2019

Premiere: The Blissful Revelry of Racoon Racoon’s Acoustic Love Song “Thunderbird”

Ships Have Sailed © Wood Wall
Music, PremieresOctober 8, 2019<July 24, 2023

Premiere: Ships Have Sailed Embrace Vulnerability & Thin “Skin” in Heartfelt Ballad

Hayley Reardon © Allie Krause
Music, Music Videos, PremieresOctober 8, 2019<October 8, 2019

Premiere: Hayley Reardon Injects a Raw, Stirring Depth into New Single “Forgiveness”

Eden Iris © Jes Harlen
Music, PremieresOctober 7, 2019<October 7, 2019

Premiere: Eden Iris’ Bittersweet Ode to Loneliness “Birthday Baby”

An Orchestrated Impulse
Music, PremieresOctober 7, 2019<October 7, 2019

Exploring the Natural Balance with An Orchestrated Impulse’s “Pink Waves”

Tom Speight © Tom Leishman
Debut, Features, Interviews, MusicOctober 4, 2019<September 24, 2021

More Than a Little Love: Tom Speight Dives into His Stunning Debut Album ‘Collide’

Frances Luke Accord © Luke Jackson
Music, PremieresOctober 4, 2019<October 4, 2019

The Fresh Autumn Folk of Frances Luke Accord’s “Thank You, Derrick Watson”

The Madness - Nicotine Dolls
Debut, Music, Music Videos, PremieresOctober 3, 2019<October 3, 2019

Nicotine Dolls’ Feverish “The Madness” Is an Alt-Rock Dream

Paper Beat Scissors © Stacy Lee
Music, ReviewsOctober 3, 2019<October 3, 2019

Fragility, Nuance, & Grace: A Review of Paper Beat Scissors’ Dazzling ‘Parallel Line’

Bluebiird, Emily Osment © Adam Goldberg
Debut, Features, Interviews, MusicOctober 2, 2019<December 5, 2019

Feature: Emily Osment Soars as Bluebiird in Stirring Musical Debut

Campsie © Joshua Onabowu
Debut, Music, PremieresOctober 1, 2019<October 1, 2019

Premiere: London’s Campsie Debuts with Intimate Indie Pop Upheaval “I’m Gone”

Atwood Magazine Editor's Picks 23
Editor's Picks, Features, MusicOctober 1, 2019<October 16, 2019

Editor’s Picks: October 1, 2019

GRAE music © Lizzie O’Donnell
Features, Interviews, MusicSeptember 30, 2019<April 15, 2022

Passion, Anger, and Empowerment: Inside GRAE’s Anthemic “Woman’s World”

Brightside
Music, PremieresSeptember 30, 2019<September 30, 2019

Premiere: Pittsburgh’s Brightside Get the Blood Pumping with “Just Like Dancing”

Litany © Marieke Macklon // Love Letter
Music, Reviews, This Just InSeptember 30, 2019<May 20, 2021

This Just In: Litany’s Sweet N’ Spicy “Love Letter” Hurts Just Right

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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    • Music You Should Know
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