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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Mielo
Music, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Through Somber Introspection, Mielo & Mariya Stoeva Learn “A Lesson in Waking Up”

Voodoo Bandits © Christopher Brew
Music, PremieresFebruary 24, 2020<February 25, 2020

Premiere: Isle of Man Artist-to-Watch Voodoo Bandits Inject Unrelenting Energy into “Empty Swimming Pool”

Hello Forever
Features, Interviews, MusicFebruary 21, 2020<February 21, 2020

Topanga Collective Hello Forever Revel in Love & Euphoria on Kaleidoscopic Debut ‘Whatever It Is’

Her Silo © GIGIL Photography
Debut, Music, PremieresFebruary 20, 2020<February 20, 2020

Premiere: Her Silo Digs for Hope in Darkness on “When Did I Give Up This Fight”

Good Kids EP - HALIE
Music, PremieresFebruary 20, 2020<February 20, 2020

Premiere: Norway’s HALIE Stands Up for Love in Unapologetic Song “Starved”

Music, PremieresFebruary 20, 2020<February 20, 2020

Premiere: Theodore’s Love Song “The Lisper” Is a Breath of Innocence & Authenticity

Glass Animals - Your Love © Pooneh Ghana
Features, Music, Reviews, This Just InFebruary 19, 2020<May 1, 2020

This Just In: Glass Animals Turn Up the Heat in “Your Love (Déjà Vu),” a Passionate Return

The Human Fly © Hayden Sitomer
Music, PremieresFebruary 19, 2020<February 19, 2020

Premiere: The Human Fly Dive into Identity & Legacy in Raw, Vulnerable EP ‘Indy500 (part1)’

Ali Holder
Music, PremieresFebruary 18, 2020<February 18, 2020

Premiere: Ali Holder’s Assertive “Bruja” Redefines What It Means to Be a Witchy Woman

Emily Afton
Music, Music Videos, PremieresFebruary 17, 2020<February 17, 2020

Premiere: The Political Protest in Emily Afton’s Outspoken “The Veil”

KOOLKID © Robbie Bannerman
Music, PremieresFebruary 13, 2020<February 13, 2020

Premiere: Getting All Up in Our “Feelings” with Glasgow’s Pop Provocateur KOOLKID

Fransancisco © Aaron Thomas
Music, PremieresFebruary 13, 2020<February 13, 2020

Premiere: Indie Folk Duo Fransancisco Debut with Breathtaking Heartache in “Gold”

Eliza Shaddad © Mel Tjoeng
Music, ReviewsFebruary 12, 2020<February 12, 2020

Review: Longing for Connection with Eliza Shaddad’s Stormy ‘Sept ~ Dec’ EP

Debut, Music, Music Videos, PremieresFebruary 12, 2020<February 12, 2020

Premiere: Artist-to-Watch Ryann Emerges with Irresistible, Impassioned Sophomore Single “Drive”

Fake Shape © David Caleb Courtney 2019
Debut, Music, PremieresFebruary 12, 2020<February 13, 2020

Premiere: Fake Shape Get Real Jazzy in Debut “Headspace”

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Recent Posts

  • ‘Please Stop Laughing’: Ray Bull Find Freedom in the Unknown on a Playful, Spirited Indie Pop Album Full of Jokes, Bruises, & Feeling May 15, 2026
  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
  • Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life May 14, 2026
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  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
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  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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