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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Lilla Vargen
Music, PremieresOctober 31, 2019<October 31, 2019

Premiere: Lilla Vargen Embraces Connection & Meaning in Stunning “Why Wait”

In Memory - The Cordial Sins
Music, ReviewsOctober 31, 2019<March 2, 2025

The Cordial Sins Dive into Their High-Charged ‘In Memory’ EP

Sulene © Bao Ngo
Music, PremieresOctober 30, 2019<October 30, 2019

Premiere: Going “Out of Your Head” with Sulene’s Pulsing New Song

Mail The Horse © Shervin Lainez
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Mail the Horse’s Bluesy “Kid Gloves” Is a Mantra on Toxic Masculinity

Lenkie © Matt Gajewski
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Lenkie Embraces Unrequited Love in Second Single “Waterfall”

Scott Ruth © Taylor Mosby
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Scott Ruth’s ‘Telephone’ EP Is Intimate Rock with a Heart of Gold

Fascinations Grand Chorus © Kelli McGuire
Debut, Music, PremieresOctober 28, 2019<October 28, 2019

Premiere: Bubblegum Pop Reigns in Fascinations Grand Chorus’ Debut Album ‘Presentations of Electrical Confectionery’

Marinho © Marta Olive
Debut, Features, Interviews, MusicOctober 24, 2019<October 24, 2019

Interview: Marinho Dives into her Intimately Vulnerable Debut Album ‘~’

Will Samson © Desiree Rousseau
Music, PremieresOctober 24, 2019<October 24, 2019

Premiere: Will Samson Blends Grief & Bliss into Ethereal New Song “Flowerbed”

Will Orchard © Julia Fiengold
Music, PremieresOctober 23, 2019<June 17, 2025

Premiere: “Turning Back Again” Marks a Sweet New Start for Will Orchard

Sawyer © Daniel Chaney
Music, PremieresOctober 23, 2019<October 23, 2019

EP Premiere: Sawyer Shine Bright in Buoyant & Bold EP ‘Less Than More Than’

Ro Bergman © Rene Hundertpfund
Debut, Music, PremieresOctober 23, 2019<October 23, 2019

EP Premiere: Ro Bergman Embarks on a ‘New Horizon’ in Dynamic Debut EP

Opeongo © 2019
Debut, Music, PremieresOctober 22, 2019<October 22, 2019

Album Premiere: Opeongo’s Debut ‘Miasma’ Is a Rich, Anxiety-Riddled Folk Tapestry

Augustine © Rassmus Björnson
Columns, Music, Today's SongOctober 22, 2019<October 22, 2019

Today’s Song: Basking in the Kinetic Sunshine of Augustine’s Wondrous “Guts”

Animal - Alex Bayly
Music, PremieresOctober 22, 2019<October 22, 2019

Premiere: Alex Bayly Evokes Life’s Trials in Turbulent Song “Animal”

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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