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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

N.Y.C.K. © 2019
Music, PremieresOctober 14, 2019<October 16, 2019

Premiere: N.Y.C.K.’s Wild N’ Wondrous Homecoming Song “Threes”

Emily Blue © Morgan Paije
Interviews, Music, PremieresOctober 11, 2019<January 29, 2026

Premiere: Emily Blue Rewinds & Ignites in Stunning Power Ballad “17”

Left Vessel
Columns, Music, Today's SongOctober 11, 2019<October 10, 2019

Today’s Song: Left Vessel Latches on Love in “Please Don’t Stop”

Núria Graham
Music, Music Videos, PremieresOctober 10, 2019<October 10, 2019

Premiere: Núria Graham’s Vibrant “Smile on the Grass” Indulges in the Existential & Intimate

Future Thieves © Andrew Fannin
Music, PremieresOctober 10, 2019<October 10, 2019

Premiere: Future Thieves “Get Up” with the Heat in Fiery New Groove

Racoon Racoon © Yoris Photographer
Music, PremieresOctober 9, 2019<November 21, 2019

Premiere: The Blissful Revelry of Racoon Racoon’s Acoustic Love Song “Thunderbird”

Ships Have Sailed © Wood Wall
Music, PremieresOctober 8, 2019<July 24, 2023

Premiere: Ships Have Sailed Embrace Vulnerability & Thin “Skin” in Heartfelt Ballad

Hayley Reardon © Allie Krause
Music, Music Videos, PremieresOctober 8, 2019<October 8, 2019

Premiere: Hayley Reardon Injects a Raw, Stirring Depth into New Single “Forgiveness”

Eden Iris © Jes Harlen
Music, PremieresOctober 7, 2019<October 7, 2019

Premiere: Eden Iris’ Bittersweet Ode to Loneliness “Birthday Baby”

An Orchestrated Impulse
Music, PremieresOctober 7, 2019<October 7, 2019

Exploring the Natural Balance with An Orchestrated Impulse’s “Pink Waves”

Tom Speight © Tom Leishman
Debut, Features, Interviews, MusicOctober 4, 2019<September 24, 2021

More Than a Little Love: Tom Speight Dives into His Stunning Debut Album ‘Collide’

Frances Luke Accord © Luke Jackson
Music, PremieresOctober 4, 2019<October 4, 2019

The Fresh Autumn Folk of Frances Luke Accord’s “Thank You, Derrick Watson”

The Madness - Nicotine Dolls
Debut, Music, Music Videos, PremieresOctober 3, 2019<October 3, 2019

Nicotine Dolls’ Feverish “The Madness” Is an Alt-Rock Dream

Paper Beat Scissors © Stacy Lee
Music, ReviewsOctober 3, 2019<October 3, 2019

Fragility, Nuance, & Grace: A Review of Paper Beat Scissors’ Dazzling ‘Parallel Line’

Bluebiird, Emily Osment © Adam Goldberg
Debut, Features, Interviews, MusicOctober 2, 2019<December 5, 2019

Feature: Emily Osment Soars as Bluebiird in Stirring Musical Debut

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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