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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Last Morrell
Debut, Music, Music Videos, PremieresSeptember 6, 2019<September 6, 2019

Premiere: The Last Morrell Lets Go in Cathartic Debut “Fine Now”

Debut, Interviews, Music, ReviewsSeptember 5, 2019<September 5, 2019

Intimacy, Discovery, and Being ‘Together’: An Interview with Wolfjay

Abbie and the Roses © Emmie Niemelä
Debut, Music, PremieresSeptember 5, 2019<September 5, 2019

Premiere: Abbie and the Roses’ Dreamy “Hippies” Is a Tender Embrace of Peace & Love

Roanoke
Music, PremieresSeptember 5, 2019<September 5, 2019

Premiere: Roanoke Share a Loving Glow in “Where the Heart Runs”

The Fool - Overcoats
Columns, Music, This Just In, Today's SongSeptember 5, 2019<November 11, 2019

Today’s Song: The Sheer Impact of Overcoats’ Fresh Cut, “The Fool”

Wallis Bird © Jens Oellermann
Interviews, Music, PremieresSeptember 5, 2019<September 19, 2019

Premiere: Wallis Bird’s Big Bowl of Madness & Memories, “Life Is Long”

Treesreach
Music, PremieresSeptember 4, 2019<September 4, 2019

Premiere: Mapping a Loss with Treesreach’s Dulcet “Wisconsin”

Tow'rs © 2019
Music, Music Videos, PremieresSeptember 4, 2019<September 4, 2019

Premiere: Tow’rs Channel Unconditional Parental Love in “Pink Confetti”

Golden Age Thinking - Wylder
Music, ReviewsAugust 30, 2019<August 30, 2019

Review: Wylder Shine in ‘Golden Age Thinking’ with Cinematic Folk & Majestic Rock

Columns, Editor's Picks, Features, MusicAugust 29, 2019<August 29, 2019

Editor’s Picks: August 29, 2019

Sophie Colette - "Would You Like It?"
Music, Music Videos, PremieresAugust 29, 2019<August 29, 2019

Premiere: Sophie Colette Unravels Intimate Vulnerability in “Would You Like It?”

Little Monarch © Emmy Pickett, Adam Brown
Music, PremieresAugust 29, 2019<August 29, 2019

Premiere: Little Monarch Sings of Self-Discovery & Sacrifice in Wondrous “See You”

Litany
Features, Interviews, MusicAugust 29, 2019<September 19, 2019

Boppy, Poppy, and Sometimes Soppy: An Interview with Litany

the florets 2019 2
Music, PremieresAugust 28, 2019<August 29, 2019

EP Premiere: The Florets Light a Fire in Debut ‘Friction Made Fiction’

Swimming with Bears 2019
Interviews, Music, Music Videos, PremieresAugust 28, 2019<August 28, 2019

Premiere: Swimming with Bears Inspire & Excite in Dynamic Jam “Keep Smiling”

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Recent Posts

  • Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! March 18, 2026
  • Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions March 18, 2026
  • “Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You” March 18, 2026
  • “We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality March 18, 2026
  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
  • “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month March 17, 2026
  • “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth March 17, 2026
  • Atwood Magazine’s Weekly Roundup: March 17, 2026 March 17, 2026
  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
  • “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem March 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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