• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Simone White © Simone White
Interviews, Music, ReviewsAugust 20, 2019<August 29, 2019

Interview: Simone White’s Loving Paean to the Heart, “The Beep Beep Song”

Michael Baker
Music, Music Videos, PremieresAugust 20, 2019<April 7, 2020

Premiere: Solitude & Togetherness in Michael Baker’s Intimate Dream “Claire”

As Above, So Below - Corey Kilgannon
Features, Interviews, Music, PremieresAugust 20, 2019<August 20, 2019

Album Premiere: Corey Kilgannon’s ‘As Above, So Below’ Is an Intimate American Protest

Rhythm of My Mind - Tyler Sjöström
Music, PremieresAugust 19, 2019<August 19, 2019

Premiere: Tyler Sjöström’s “Rhythm of My Mind” Is a Groovy Philosophical Indulgence

Sam DeRosa © Matthew Berinato
Debut, Interviews, Music, PremieresAugust 19, 2019<August 19, 2019

Premiere: Sam DeRosa Spreads Her Wings with Intimate “Baby I Know”

Wes Reeve © Leo Deveney
Music, PremieresAugust 16, 2019<April 16, 2020

Premiere: The Tenderness, Turmoil, and Lilting Beauty of Wes Reeve’s Debut “Honey, I”

Black Match © Richard Fusillo
Columns, Music, Today's SongAugust 16, 2019<August 15, 2019

Today’s Song: The Guiding Light of Black Match’s Intimate “Cover Your Eyes”

9
Debut, Music, Our Take, PremieresAugust 15, 2019<December 15, 2020

Album Premiere: The Hazy Warm Wash of Shikoswe’s Debut ‘Back in the Tall Grass’

Fields&. © Matthew Boyd
Music, PremieresAugust 14, 2019<August 14, 2019

Premiere: Stepping Out of the Shadows with Fields&.’s “White Holes in the Blue”

Gutter Sparrow 2019 1
Music, PremieresAugust 14, 2019<August 14, 2019

Premiere: Gutter Sparrow’s “Sheridan” Aches with the Tender Warmth of Connection

Belle Mt. © 2019
Music, Music Videos, PremieresAugust 14, 2019<August 14, 2019

Premiere: Contemplating Life & Legacy with Belle Mt.’s “Origins” Video

Atwood Editor's Picks August 12 2019
Columns, Editor's Picks, Features, MusicAugust 14, 2019<August 14, 2019

Editor’s Picks: August 12, 2019

Sonny Santos
Debut, Features, Music, PremieresAugust 13, 2019<August 13, 2019

Sonny Santos’ Beautiful Debut Album ‘Hotel de Londres’ Aches of a Tortured Soul

Stevan 'LNT' Cover Art
Music, PremieresAugust 13, 2019<August 13, 2019

Premiere: Aussie Up-and-Comer Stevan Soaks up the Sun in “LNT”

Jack Klatt 2019 1
Music, PremieresAugust 9, 2019<August 9, 2019

Premiere: Jack Klatt’s “Ramblin’ Kind” is an Americana Poem of Redemption

Posts pagination
1 … 192 193 194 195 196 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services